1995, ISBN: 6b8e36768e92ff76e1402baba036ab32

Livres de poche, Edition reliée

New York: E. P. Dutton & Company. Very Good+ in Very Good- dust jacket. 1947. 1st Edition; 1st Printing. Hardcover. This book is in Very Good+ condition and has a Very Good- dust jack… Plus…

New York: E. P. Dutton & Company. Very Good+ in Very Good- dust jacket. 1947. 1st Edition; 1st Printing. Hardcover. This book is in Very Good+ condition and has a Very Good- dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. All edges of the text block have some ground-in dirt, especially the top edge. The dust jacket has some generalized rubbing, edge wear, small nicks and tears and several small to smallish edge chips, especially the top spine end. There is a small, inked notation on the rear endpaper. "Nin was a friend, and in some cases lover, of many leading literary figures, including Henry Miller, John Steinbeck, Antonin Artaud, Edmund Wilson, Gore Vidal, James Agee, James Leo Herlihy, and Lawrence Durrell. Her passionate love affair and friendship with Miller strongly influenced her both sexually and as an author. Nin wrote about her infatuation with the Surrealist artist Bridget Bate Tichenor in her diaries. Claims that Nin was bisexual were given added circulation by the Philip Kaufman film Henry & June about Henry Miller and his second wife June Miller. The first unexpurgated portion of Nin's journal to be published, Henry and June, makes it clear that Nin was stirred by June to the point of saying (paraphrasing) , "I have become June," though it is unclear whether she consummated her feelings for her sexually. To both Anaïs and Henry, June was a femme fatale—irresistible, cunning, erotic. Nin gave June money, jewelry, clothes, often leaving herself broke." ., E. P. Dutton & Company, 1947, 3, Helsinki: Photographic Museum of Finland, 1989. This is a very good softcover copy with almost no wear. Completely clean. Signed in ink, by Arnulf Rainer, on the front endpaper. Not inscribed to anyone, just signed 'Arnulf Rainer, Finland'. Text in Finnish, Swedish and English. This catalog was edited by Ulla Karttunen. With texts by Andre Breton, Antonin Artaud, and Arnulf Rainer, among others. Illustrated throughout in black & white and some color with photographs and film stills. Bibliography. 8" square, 146 pages. This book will be securely packed and shipped with tracking. . Signed by Artist.. Soft Cover. Very Good., Photographic Museum of Finland, 1989, 3, Boston: Exact Change, 1995. Atop title page: Author's Copy in Eshleman's hand with a few notes in the text; A very good paperback copy; 342 pages.. 5.75"x8"., Exact Change, 1995, 0, New York: Thames and Hudson, 1982. First printing. 256 pp., 8.5 x 12 inches. Full blue cloth over boards, stamped in silver, in photo-illustrated dust-jacket. With 347 duotone plates, an introduction by Martin, and texts by Philippe Sers, Herbert Molderings, Janus, and Man Ray: "Photography is not art"; "Photography can be art"; and an interview. One very slightly eager opening in the center, otherwise very good, in a very good jacket with one very small closed tear. The first English-language edition of the book that accompanied the 1981 Man Ray exhibition at the Pompidou in Paris, organized by Martin. In addition to the classic images, the book "includes a huge number of photographs that have never been seen before, including portraits of Virginia Woolf and of Antonin Artaud and a large selection of erotic pictures.", Thames and Hudson, 1982, 0, Paris: Masson & Cie Éditeurs, 1972. 'Ensembles Litteraires'. Couvertue: Pierre Leclerc. Matières: I). A la recherche d'un nouveau langage: Guillaume Apollinaire - Raymond Roussel - Pierre Reverdy - Jacques Vaché. II). Dada: Tristan Tzara - Francis Picabia - Georges Ribemont-Dessaignes - Marcel Duchamp - Paul Eluard - André Breton - André Breton et Philippe Soupault - Philippe Soupault - Louis Aragon. III). La révolution surréaliste: André Breton - Paul Eluard - Antonin Artaud - Louis Aragon - Benjamin Péret - Robert Desnos - René Crevel. IV). La queue du surréalisme: André Breton - Julien Gracq - Boris Vian. Avec origine des textes et bibliographie. 232 pag. . Première édition. Toile avec couverture. Bel état.. 20cmx12,5cm., Masson & Cie Éditeurs, 1972, 0<

1991, ISBN: 6b8e36768e92ff76e1402baba036ab32

Milan, Italy: Bompiani, 1987. Book. Good. Soft cover. 4to - over 9¾ - 12" tall. Softcover. Condition: Good, with light shelfwear to covers. Binding sound, no inscriptions. 384… Plus…

Milan, Italy: Bompiani, 1987. Book. Good. Soft cover. 4to - over 9¾ - 12" tall. Softcover. Condition: Good, with light shelfwear to covers. Binding sound, no inscriptions. 384pp. Many b/w and several colour plates. This catalogue was produced to accompany the retrospective of work by the Swiss painter and sculptor Jean Tinguely (1925-1991) held at the Palazzo Grassi, Venice in 1987. A heavy book, will require extra postage if to be sent outside UK.., Bompiani, 1987, 2.5, Paris: Masson & Cie Éditeurs, 1972. 'Ensembles Litteraires'. Couvertue: Pierre Leclerc. Matières: I). A la recherche d'un nouveau langage: Guillaume Apollinaire - Raymond Roussel - Pierre Reverdy - Jacques Vaché. II). Dada: Tristan Tzara - Francis Picabia - Georges Ribemont-Dessaignes - Marcel Duchamp - Paul Eluard - André Breton - André Breton et Philippe Soupault - Philippe Soupault - Louis Aragon. III). La révolution surréaliste: André Breton - Paul Eluard - Antonin Artaud - Louis Aragon - Benjamin Péret - Robert Desnos - René Crevel. IV). La queue du surréalisme: André Breton - Julien Gracq - Boris Vian. Avec origine des textes et bibliographie. 232 pag. . Première édition. Toile avec couverture. Bel état.. 20cmx12,5cm., Masson & Cie Éditeurs, 1972, 0<

1991, ISBN: 6b8e36768e92ff76e1402baba036ab32

Centre Georges Pompidou, Beaux Arts Hors Série, 1991. Soft cover. Fine., Centre Georges Pompidou, Beaux Arts Hors Série, 1991, 5

1981, ISBN: 6b8e36768e92ff76e1402baba036ab32

in8. 1981. Cartonné jaquette. 207 pages., Septimus editions, 1981, 2.5