2013, ISBN: 9780801491061

Edition reliée

London, Thames and Hudson, 1977. 223 pp., 251 ills east and west, the problem of cultural exchange; eagle and serpent; marvels of the east; Marco Polo and the pictorial tradition; chance… Plus…

London, Thames and Hudson, 1977. 223 pp., 251 ills east and west, the problem of cultural exchange; eagle and serpent; marvels of the east; Marco Polo and the pictorial tradition; chance, time and virtue; VG condition, London, Thames and Hudson, 1977, 0, Turnhout (Belgique), Brepols, n.d. (±1950). viii+281 pp., num. ills. dictionary of iconography (symbols, attributs, emblems in art and religion); nearfine (excellent) condition, Turnhout (Belgique), Brepols, n.d. (±1950), 0, N Y: St. Martin's Press, 1979. Trade Paperback. Very Good. A clean, unmarked book with a tight binding. Slight edge wear. 41 color plates. 7 7/8""w x 10 7/8""h., St. Martin's Press, 1979, 3, Harvard University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages., Harvard University Press, 2.5, Harvard University Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages., Harvard University Press, 2.5, Pittsburgh. 2013. May 2013. University of Pittsburgh Press. 1st American Edition. Very Good in Wrappers. 9780822962335. 158 pages. paperback. Cover art and design by Ann Walston. keywords: Speculative Fictions Chilean Culture Economics Neoliberal Transition. FROM THE PUBLISHER - Speculative Fictions views the Chilean neoliberal transition as reflected in cultural production from the postdictatorship era of the 1970s to the present. To Alessandro Fornazzari, the move to market capitalism effectively blurred the lines between economics and aesthetics, perhaps nowhere more evidently than in Chile. Through exemplary works of film, literature, the visual arts, testimonials, and cultural theory, Fornazzari reveals the influence of economics over nearly every aspect of culture and society. Citing Karl Marx, Michel Foucault, Walter Benjamin, Willy Thayer, Milton Friedman, and others, Fornazzari forms the theoretical basis for his neoliberal transitional discourse as a logical progression of capitalism. Fornazzari identifies Casa de campo, JosE Donoso's allegory of the military coup of 1973 and the ensuing monetary crisis, as a harbinger of transitional texts, challenging them to explore new forms of abstraction. Those forms are explored in the novels Oir su voz by Arturo Fontaine and Mano de obra by Diamela Eltit, where Fornazzari examines divergent views of workers in the form of neoliberal human capital or post-Fordist immaterial labor. In documentaries by Patricio Guzmán and Silvio Caiozzi, he juxtaposes depictions of mass mobilization and protest to the mass marketing of individual memory and loss, claiming they serve as symbols of the polarities of dictatorship and neoliberalism. Fornazzari then relates the subsuming of the individual under both fascism and neoliberalism by recalling the iconic imbunche (a mutilated figure whose orifices have been sewn closed) in works by Donoso and the visual artist Catalina Parra. He continues the theme of subsumption in his discussion of the obliteration of the divide between physical labor and intellectualism under neoliberalism, as evidenced in the detective novel A la sombra del dinero by Ramon Díaz Eterovic. In these examples and others, Fornazzari presents a firmly grounded theoretical analysis that will appeal to Latin Americanists in general and to those interested in the intersection of economics and culture. inventory #40594 ISBN: 9780822962335., 0, Sunrise Books, 1989-01-01. Paperback. Good. 7x5x0. Cover wear. Pages unmarked. Binding straight, Sunrise Books, 1989-01-01, 2.5, New York: Universe Books, 1985 Book. Near Fine. Hardcover. First Edition. 8vo. xiii, 287 pp, preface, Part I. In Defense of Adaptations: 1. Biases and Preconceptions; 2. Film as Literature. Part II. Adaptation as Interpretation: 3. The Viewer as Reader: Varieties of Interpretation; 4. The Filmmaker as Reader: The Question of Fidelity. Part III. The Rhetoric of Adaptation: 5. Point of View; 6. Style and Tone; 7. Metaphor, Symbol, Allegory; 8. Interiors: Thought, Dream, Inner Action; Afterword: The Magnificent Ambersons: Reversing the Bias; bibliography, notes, index with b&w illustrations. First Edition, 1985. "Taking a look at movie versions of novels, the author contends that film is an art eminently capable of translating a novel, not only in plot and theme, but in style, technique, and effect. Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, this book examine aesthetics, the history, and the contemporary results of moviemakers; use of fiction in film. Here is an eye-opening scrutiny of contemporary films that fail, succeed or even transcend their literary source when two parallel art forms join forces at the movies." from the jacket flap. Price clipped. Onyl the Slightest wear dj with faintly age-toned text block edges, else, Pristine, no wear. Clean, tight and strong binding with no underlining, highlighting or marginalia. Black quarter-cloth with black paper-covered boards, silver lettering to spine, and black endpapers.., Universe Books, 1985, 4, Cornell University Press. Good+. 1971. Paperback. 0801491061 . Old sticker front, light cover wear ., Cornell University Press, 1971, 2.5<

1971, ISBN: 0801491061

[EAN: 9780801491061], Gebraucht, guter Zustand, [PU: Cornell University Press], Good with wear and markings. Looks like an interesting title!, Books

1971, ISBN: 0801491061

[EAN: 9780801491061], Gebraucht, guter Zustand, [PU: Cornell University Press], ART HISTORY, Old sticker front, light cover wear, Books

1971, ISBN: 9780801491061

Paperback, Gebraucht, guter Zustand, Size: 8x5x1; Good with wear and markings. Looks like an interesting title!, [PU: Cornell University Press]

1971, ISBN: 9780801491061

Paperback, 0801491061., Good+, Art History, Old sticker front, light cover wear., [PU: Cornell University Press]