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Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Zdanowicz, Irena; Stephen Coppel; Fred Williams

EXEMPLE

(*)

Zdanowicz, Irena; Stephen Coppel; Fred Williams:
Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Livres de poche

2010, ISBN: 9780714126395

Edition reliée

United Kingdom: Duckworth Pub. New. 2004. Paperback. 0715632841 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABL… Plus…

United Kingdom: Duckworth Pub. New. 2004. Paperback. 0715632841 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED -- 208 pages; 6 x 9 inches -- The controversial "reburial issue" first developed almost 25 years ago. At this time, some indigenous groups started to campaign for the return of their ancestral human remains from museums and collecting institutions, and these requests were refused. Since then, museums in some countries have responded positively to repatriation requests while those in others continue to refuse them. This incisive book provides the reader with what has been generally missing in the current debate and available literature -- a detailed historical understanding of how and why these collections were amassed, and the responses of indigenous groups and collectors at the time. The book focuses particularly on Australia as a background to its documentation and examination of the issue. The reburial question has had wide repercussions for all involved. Today, the topic is of continuing relevance for archaeologists, anthropologists, museum professionals, and for many indigenous groups worldwide. The issue highlights two very different approaches to items, which hold exceptional importance in many cultures -- human remains. It is also about the relationship between science and the peoples whose past is the subject of academic enquiry, and how the sometimes hegemonic nature of this relationship has, through the issue documented here, relentlessly bubbled to the surface. What may appear at first a simple clash of interests is thus revealed to have many deeper aspects., Duckworth Pub, 2004, 6, Thames & Hudson. New. 2004. Paperback. 0500282196 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 240 pages. Description: "Performance breaks the boundaries separating art and life, private and public, custom and taboo. Its anarchic experiments have put it at the forefront of the twentieth-century avant-garde. In the four decades since the 1960s there has been an astonishing increase in the number of its practitioners worldwide, and it has radically influenced and altered not only all the other arts, from theater to music to photography, but is also all-pervasive in popular culture, politics, and social attitudes. Juxtaposing startling images and texts, this book presents for the first time the broadest panorama of this multifaceted and elusive art form. From Yves Klein and Piero Manzoni to Joseph Beuys and Robert Wilson, Meredith Monk, Laurie Anderson, Pina Bausch, Matthew Barney, Bill T. Jones, Gilbert & George, Mona Hatoum, and many others, with scores of works from Europe, the Americas, Japan, and Australia, this landmark publication is an indispensable resource for anyone interested in visual culture. 332 illustrations, 123 in color.", Thames & Hudson, 2004, 6, National Gallery Of Victoria. New. 2010. Hardcover. 0724103139 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 96 pages; 100 color illustrations. Description: "The career of artist Ricky Swallow spans the continents. Born in Australia in 1974, he currently lives and works in Los Angeles. He was featured in 2006 by P. S. 1, Contemporary Art Center, MoMA; represented Australia at the 2005 Venice Pavilion; and has shown at Dublin's Douglas Hyde Gallery, Stuart Shave/Modern, London, and Marc Foxx Gallery, Los Angeles, among other galleries on the world stage. 'Ricky Swallow: The Bricoleur' brings together his expertly crafted sculpture created since 2004 that brings to mind the still life tradition and yet combines surrealistic wit and pop iconography. Also featured are Swallow's recent watercolors. All this work reveals a synthesising of the mundane and the profound, underscoring how memory, longing, and the passage of time are distilled within the humble objects of daily life." -- with a bonus offer ., National Gallery Of Victoria, 2010, 6, British Museum Press (Distribution). New. 2004. Paperback. 071412639X .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 128 pp. With 131 ills. (123 col. ). 27 x 25 cm., British Museum Press (Distribution), 2004, 6<

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Fred Williams: An Australian Vision - Irena Zdanowicz, Stephen Coppel

(*)

Irena Zdanowicz, Stephen Coppel:
Fred Williams: An Australian Vision - Livres de poche

2003, ISBN: 071412639X

[SR: 2106608], Paperback, [EAN: 9780714126395], British Museum Press, British Museum Press, Book, [PU: British Museum Press], 2003-12-01, British Museum Press, Published to accompany a Br… Plus…

[SR: 2106608], Paperback, [EAN: 9780714126395], British Museum Press, British Museum Press, Book, [PU: British Museum Press], 2003-12-01, British Museum Press, Published to accompany a British Museum exhibition, this catalogue illustrates the etchings and related drawings and gouaches by the Australian artist Fred Williams (1927-1982) - arguably the most important Australian painter-printmaker of the second half of the 20th century. Best-known for his paintings of the Australian landscape, Williams took up printmaking in London in 1954. It was always of central importance in his work and no other Australian artist of comparable stature produced such a large and significant body of prints - the vast majority of them etchings. From the beginning, Williams's practice as an etcher closely paralleled his development as a painter, and a striking feature of his work is the cross-fertilization of ideas and motifs between his painting and his printmaking. After five years working and studying in London, where his subject-matter focused on the music hall, Williams returned to Australia in late 1956 and quickly realized that he wanted to concentrate on painting the Australian landscape. Within months, his distinctive vision began to emerge. Etching played a primary role in the development of his understanding of the subject, imposing a need to simplify and render abstract the motif. William's portrayal of the Australian landscape through a discrete langauge of marks and new compositional formats profoundly transformed the way in which that landscape is viewed today. This catalogue features 76 prints plus 9 gouaches and drawings, all but three of which were recently presented to the British Museum by the artist's widow., 267758, Printmaking, 267436, Graphic Arts, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 266794, Museums & Collections, 14593364031, Museums, 14593365031, Permanent Collections, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 267428, Drawing, 274083, Cartooning, 14593373031, Coloured Pencil, 267430, Crayon & Pastel, 14593374031, Figure Drawing, 267432, Pen & Ink, 267433, Pencil, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 14593375031, Painting, 267450, Acrylics, 14596700031, Landscape, 267661, Oil Painting, 14596701031, Portraits, 14596702031, Still Life, 267663, Watercolours, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 266898, History, 14593549031, History & Criticism, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 267841, Subjects within Art, 267845, Human Figures, 14593550031, Landscapes & Seascapes, 14593551031, Plants & Animals, 267850, Portraits, 14593552031, Science Fiction & Fantasy, 14593553031, Ukiyo-e, 512780, Women in Art, 14593549031, History & Criticism, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 14593554031, Individual Artists, 14593555031, Artists' Books, 14593556031, Essays, 14593557031, Monographs, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 271327, Australia, 271326, Australia & New Zealand, 271319, Australasia & Pacific, 65, History, 1025612, Subjects, 266239, Books, 271835, Printmaking, 271795, Crafts, 64, Home & Garden, 1025612, Subjects, 266239, Books<

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Fred Williams: An Australian Vision - (Williams, Fred) Irena Zdanowicz, Stephen Coppel:

EXEMPLE

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(Williams, Fred) Irena Zdanowicz, Stephen Coppel::
Fred Williams: An Australian Vision - Livres de poche

2003, ISBN: 9780714126395

-British Museum Press (2003)-. Exhibition catalogue. First edition 2003. 128 pages. Illustrated in 130 colour plates throughout. Paperback. Near fine. Published to accompany a British M… Plus…

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Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Zdanowicz, Irena; Stephen Coppel; Fred Williams

EXEMPLE

(*)

Zdanowicz, Irena; Stephen Coppel; Fred Williams:
Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Livres de poche

2004, ISBN: 9780714126395

British Museum Press (Distribution). New. 2004. Paperback. 071412639X .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR… Plus…

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Fred Williams. An Australian Vision - Zdanowicz, Irena, and Coppel, Stephen.

EXEMPLE

(*)

Zdanowicz, Irena, and Coppel, Stephen.:
Fred Williams. An Australian Vision - Première édition

2003, ISBN: 071412639X

Edition reliée

[EAN: 9780714126395], Gebraucht, sehr guter Zustand, [PU: The British Museum], There is an owners name near the top edge of the front cover.

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Zdanowicz, Irena; Stephen Coppel; Fred Williams:

Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Livres de poche

2010, ISBN: 9780714126395

Edition reliée

United Kingdom: Duckworth Pub. New. 2004. Paperback. 0715632841 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABL… Plus…

United Kingdom: Duckworth Pub. New. 2004. Paperback. 0715632841 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY, BRAND NEW, PRISTINE, NEVER OPENED -- 208 pages; 6 x 9 inches -- The controversial "reburial issue" first developed almost 25 years ago. At this time, some indigenous groups started to campaign for the return of their ancestral human remains from museums and collecting institutions, and these requests were refused. Since then, museums in some countries have responded positively to repatriation requests while those in others continue to refuse them. This incisive book provides the reader with what has been generally missing in the current debate and available literature -- a detailed historical understanding of how and why these collections were amassed, and the responses of indigenous groups and collectors at the time. The book focuses particularly on Australia as a background to its documentation and examination of the issue. The reburial question has had wide repercussions for all involved. Today, the topic is of continuing relevance for archaeologists, anthropologists, museum professionals, and for many indigenous groups worldwide. The issue highlights two very different approaches to items, which hold exceptional importance in many cultures -- human remains. It is also about the relationship between science and the peoples whose past is the subject of academic enquiry, and how the sometimes hegemonic nature of this relationship has, through the issue documented here, relentlessly bubbled to the surface. What may appear at first a simple clash of interests is thus revealed to have many deeper aspects., Duckworth Pub, 2004, 6, Thames & Hudson. New. 2004. Paperback. 0500282196 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 240 pages. Description: "Performance breaks the boundaries separating art and life, private and public, custom and taboo. Its anarchic experiments have put it at the forefront of the twentieth-century avant-garde. In the four decades since the 1960s there has been an astonishing increase in the number of its practitioners worldwide, and it has radically influenced and altered not only all the other arts, from theater to music to photography, but is also all-pervasive in popular culture, politics, and social attitudes. Juxtaposing startling images and texts, this book presents for the first time the broadest panorama of this multifaceted and elusive art form. From Yves Klein and Piero Manzoni to Joseph Beuys and Robert Wilson, Meredith Monk, Laurie Anderson, Pina Bausch, Matthew Barney, Bill T. Jones, Gilbert & George, Mona Hatoum, and many others, with scores of works from Europe, the Americas, Japan, and Australia, this landmark publication is an indispensable resource for anyone interested in visual culture. 332 illustrations, 123 in color.", Thames & Hudson, 2004, 6, National Gallery Of Victoria. New. 2010. Hardcover. 0724103139 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 96 pages; 100 color illustrations. Description: "The career of artist Ricky Swallow spans the continents. Born in Australia in 1974, he currently lives and works in Los Angeles. He was featured in 2006 by P. S. 1, Contemporary Art Center, MoMA; represented Australia at the 2005 Venice Pavilion; and has shown at Dublin's Douglas Hyde Gallery, Stuart Shave/Modern, London, and Marc Foxx Gallery, Los Angeles, among other galleries on the world stage. 'Ricky Swallow: The Bricoleur' brings together his expertly crafted sculpture created since 2004 that brings to mind the still life tradition and yet combines surrealistic wit and pop iconography. Also featured are Swallow's recent watercolors. All this work reveals a synthesising of the mundane and the profound, underscoring how memory, longing, and the passage of time are distilled within the humble objects of daily life." -- with a bonus offer ., National Gallery Of Victoria, 2010, 6, British Museum Press (Distribution). New. 2004. Paperback. 071412639X .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 128 pp. With 131 ills. (123 col. ). 27 x 25 cm., British Museum Press (Distribution), 2004, 6<

USA, U.. - Frais d'envoiVersandkostenfrei. (EUR 0.00) AB Books, AB Books, AB Books, AB Books

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Fred Williams: An Australian Vision - Irena Zdanowicz, Stephen Coppel

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Irena Zdanowicz, Stephen Coppel:

Fred Williams: An Australian Vision - Livres de poche

2003, ISBN: 071412639X

[SR: 2106608], Paperback, [EAN: 9780714126395], British Museum Press, British Museum Press, Book, [PU: British Museum Press], 2003-12-01, British Museum Press, Published to accompany a Br… Plus…

[SR: 2106608], Paperback, [EAN: 9780714126395], British Museum Press, British Museum Press, Book, [PU: British Museum Press], 2003-12-01, British Museum Press, Published to accompany a British Museum exhibition, this catalogue illustrates the etchings and related drawings and gouaches by the Australian artist Fred Williams (1927-1982) - arguably the most important Australian painter-printmaker of the second half of the 20th century. Best-known for his paintings of the Australian landscape, Williams took up printmaking in London in 1954. It was always of central importance in his work and no other Australian artist of comparable stature produced such a large and significant body of prints - the vast majority of them etchings. From the beginning, Williams's practice as an etcher closely paralleled his development as a painter, and a striking feature of his work is the cross-fertilization of ideas and motifs between his painting and his printmaking. After five years working and studying in London, where his subject-matter focused on the music hall, Williams returned to Australia in late 1956 and quickly realized that he wanted to concentrate on painting the Australian landscape. Within months, his distinctive vision began to emerge. Etching played a primary role in the development of his understanding of the subject, imposing a need to simplify and render abstract the motif. William's portrayal of the Australian landscape through a discrete langauge of marks and new compositional formats profoundly transformed the way in which that landscape is viewed today. This catalogue features 76 prints plus 9 gouaches and drawings, all but three of which were recently presented to the British Museum by the artist's widow., 267758, Printmaking, 267436, Graphic Arts, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 266794, Museums & Collections, 14593364031, Museums, 14593365031, Permanent Collections, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 267428, Drawing, 274083, Cartooning, 14593373031, Coloured Pencil, 267430, Crayon & Pastel, 14593374031, Figure Drawing, 267432, Pen & Ink, 267433, Pencil, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 14593375031, Painting, 267450, Acrylics, 14596700031, Landscape, 267661, Oil Painting, 14596701031, Portraits, 14596702031, Still Life, 267663, Watercolours, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 266898, History, 14593549031, History & Criticism, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 267841, Subjects within Art, 267845, Human Figures, 14593550031, Landscapes & Seascapes, 14593551031, Plants & Animals, 267850, Portraits, 14593552031, Science Fiction & Fantasy, 14593553031, Ukiyo-e, 512780, Women in Art, 14593549031, History & Criticism, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 14593554031, Individual Artists, 14593555031, Artists' Books, 14593556031, Essays, 14593557031, Monographs, 91, Arts & Photography, 1025612, Subjects, 266239, Books, 271327, Australia, 271326, Australia & New Zealand, 271319, Australasia & Pacific, 65, History, 1025612, Subjects, 266239, Books, 271835, Printmaking, 271795, Crafts, 64, Home & Garden, 1025612, Subjects, 266239, Books<

Gebraucht. Frais d'envoiEuropa Zone 1: GBP 5,48 pro Produkt.. Usually dispatched within 1-2 business days. Die angegebenen Versandkosten können von den tatsächlichen Kosten abweichen. (EUR 4.80) CloudDreamer

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(Williams, Fred) Irena Zdanowicz, Stephen Coppel::
Fred Williams: An Australian Vision - Livres de poche

2003

ISBN: 9780714126395

-British Museum Press (2003)-. Exhibition catalogue. First edition 2003. 128 pages. Illustrated in 130 colour plates throughout. Paperback. Near fine. Published to accompany a British M… Plus…

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Zdanowicz, Irena; Stephen Coppel; Fred Williams:
Fred Williams An Australian Vision / Etchings, Drawings and Gouaches in the British Museum - Livres de poche

2004, ISBN: 9780714126395

British Museum Press (Distribution). New. 2004. Paperback. 071412639X .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR… Plus…

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Zdanowicz, Irena, and Coppel, Stephen.:
Fred Williams. An Australian Vision - Première édition

2003, ISBN: 071412639X

Edition reliée

[EAN: 9780714126395], Gebraucht, sehr guter Zustand, [PU: The British Museum], There is an owners name near the top edge of the front cover.

NOT NEW BOOK. Frais d'envoi EUR 13.49 michael johnson books, brighton, United Kingdom [8901945] [Rating: 5 (von 5)]

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Fred Williams: An Australian Vision

Auteur:	(Williams, Fred) Irena Zdanowicz, Stephen Coppel:
Titre:	Fred Williams: An Australian Vision
ISBN:	9780714126395

Fred Williams (1927-82) is a key figure in Australian art of the second half of the twentieth century, best known for his paintings of the Australian landscape. Printmaking, which he took up in London in 1954, was always of central importance in his work, and no other Australian artist of comparable stature produced such a large and significant body of prints, the vast majority of them etchings. From the beginning Williams' practice as an etcher closely paralleled his development as a painter, and a striking feature of his work is the cross-fertilization of ideas and motifs between his painting and his printmaking. After five years spent working and studying in London, where his subject-matter focused on the music hall, Williams returned to Australia in late 1956 and realized immediately that he wanted to concentrate on painting the Australian landscape. Within months his distinctive vision began to emerge. Etching played a primary role in the development of his understanding of the subject, imposing the need to simplify and render abstract the motif. Williams' portrayal of the Australian landscape through a discrete language of marks and new compositional formats profoundly transformed the way in which that landscape is viewed today.

Informations détaillées sur le livre - Fred Williams: An Australian Vision

EAN (ISBN-13): 9780714126395
ISBN (ISBN-10): 071412639X
Version reliée
Livre de poche
Date de parution: 2004
Editeur: British Museum Press
100 Pages
Poids: 0,689 kg
Langue: eng/Englisch

Livre dans la base de données depuis 2007-05-28T00:28:34+02:00 (Paris)
Page de détail modifiée en dernier sur 2021-03-15T13:55:49+01:00 (Paris)
ISBN/EAN: 9780714126395

ISBN - Autres types d'écriture:
0-7141-2639-X, 978-0-7141-2639-5
Autres types d'écriture et termes associés:
Auteur du livre: neil stephen, coppel, zdanowicz
Titre du livre: raw vision, fred williams australian vision etchings drawings gouaches british museum, the fred

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