CROSSROADS PERFORMANCE STUDIES - edition reliée, livre de poche

EAN (ISBN-13): 9780230219984
ISBN (ISBN-10): 0230219985
Version reliée
Livre de poche
Date de parution: 2009
Editeur: Palgrave Macmillan
255 Pages
Poids: 0,476 kg
Langue: eng/Englisch

Livre dans la base de données depuis 2009-12-08T11:47:49+01:00 (Paris)
Page de détail modifiée en dernier sur 2023-10-23T20:24:33+02:00 (Paris)
ISBN/EAN: 9780230219984

ISBN - Autres types d'écriture:
0-230-21998-5, 978-0-230-21998-4
Autres types d'écriture et termes associés:
Auteur du livre: brady
Titre du livre: the crossroads between, irish your own, performance culture

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Données de l'éditeur

Auteur: Sara Brady
Titre: Crossroads: Performance Studies and Irish Culture
Editeur: Palgrave Macmillan; Palgrave Macmillan UK
255 Pages
Date de parution: 2009-08-27
London; GB
Poids: 0,490 kg
Langue: Anglais
54,99 € (DE)

BB; Theatre and Performance Studies; Hardcover, Softcover / Kunst/Theater, Ballett; Darstellende Künste; Verstehen; Performance Studies; Irish Studies; Irish History; Irish Literature; festival; identity; migration; politics; theatre; Performing Arts; Music; Literature, general; History of Britain and Ireland; Modern History; Theatre and Performance Arts; Music; Literature; History of Britain and Ireland; Modern History; Musik; Biographie, Literatur und Literaturwissenschaft; Europäische Geschichte; Geschichte; Westeuropa; Auseinandersetzen; BC; EA; BC; EA

List of Illustrations Acknowledgements Notes on Contributors Introduction: Performance Studies and Irish Culture; F.Walsh  with S.Brady PART I: TRADITION, RITUAL AND PLAY Performing Ireland: A Performative Approach to the Study of Irish Culture; J.Santino Performing Tradition; B.Sweeney Sporting 'Irish' Identities: Performance and the Gaelic Games; S.Brady 'It's beyond Candide it's Švejk': Wise Foolery in the Work of Jack Lynch, Storyteller; M.Wilson Traditional Irish Music in the 21st Century: Networks, Technology, and the Negotiation of Authenticity; S.Spencer PART II: PLACE, LANDSCAPE AND COMMEMORATION 'Tapping Secrecies of Stone': Irish Roads as Performances of Movement, Measurement, and Memory; J.Morrison Commemoration and the Performance of Irish Famine Memory; E.M.FitzGerald Embodying the Past for the Tourist Gaze: Performing History and Commemorations of Violence at Free Derry Corner; M.Spangler St Patrick's Purgatory and the Performance of Pilgrimage; D.Cregan PART III: POLITICAL PERFORMANCES Word, Voice, Book, and Act: De Valera and the Oath; A.Pulju Between the Living and the Dead: Performative 'in-betweens' in the Work of Alastair MacLennan; C.Szabó The Bio-politics of Performing Irish-ness; M.Causey PART IV: GENDER, FEMINISM, AND QUEER PERFORMANCE Ghosting Bridgie Cleary: Tom Mac Intyre and Staging this Woman's Death; C.McIvor Challenging Patriarchal Imagery: Amanda Coogan's Performance Art; G.C.Novati Homelysexuality and the 'Beauty' Pageant; F.Walsh PART V: DIASPORA, MIGRATION, GLOBALIZATION Taking Northern Irish Identity on the Road: The Smithsonian Folklife Festival of 2007; E.Moore Quinn Who's Laughing at What?: Currents of Humour in African-Irish Theatre; E.Weitz Parading Multicultural Ireland: Identity Politics and National Agendas in the 2007 St Patrick's Festival; H.Maples Index