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Homosexuality in
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Beyer, Sandra:
Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar - Livres de poche

2007, ISBN: 9783638760065

[ED: Softcover], [PU: Grin Verlag], Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'. 2007. 20 S. 210 mm Versandfertig in 3-5 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Homosexuality in
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Sandra Beyer:
Homosexuality in "Pepi, Luci, Bom y Otras Chicas del Monton," "Laberinto de Pasiones" and "Entre Tinieblas" of the Post-Modern Director Pedro Almodovar - Livres de poche

2004, ISBN: 9783638760065

Paperback, [PU: GRIN Verlag], Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del monton (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco′s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'., Language: Reference & General

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Pedro Almodovar As A Post-Modern Director And The Presentation Of Homosexuality In His First Three Films Pepi, Luci, Bom Y Otras Chicas Del Mont N, Laberinto De Pasiones And Entre Tinieblas - Sandra Beyer
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Sandra Beyer:
Pedro Almodovar As A Post-Modern Director And The Presentation Of Homosexuality In His First Three Films Pepi, Luci, Bom Y Otras Chicas Del Mont N, Laberinto De Pasiones And Entre Tinieblas - Livres de poche

ISBN: 9783638760065

ID: 9783638760065

Pedro Almodovar As A Post-Modern Director And The Presentation Of Homosexuality In His First Three Films Pepi, Luci, Bom Y Otras Chicas Del Mont N, Laberinto De Pasiones And Entre Tinieblas Pedro-Almodovar-As-A-Post-Modern-Director-And-The-Presentation-Of-Homosexuality-In-His-First-Three-Films-Pepi-Luci-Bom-Y-Otras-Chicas-Del-Mont-N-Laberinto-De-Pasiones-And-Entre-Tinieblas~~Sandra-Beyer Philosophy>Linguistics>Linguistics Paperback, GRIN Publishing

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Homosexuality in
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Sandra Beyer:
Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar - Première édition

2007, ISBN: 3638760065

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Beyer, Sandra: Homosexuality in Pepi, Luci, Bom y otras chicas del montón, Laberinto de Pasiones and Entre Tinieblas of the post-modern director Pedro Almodovar
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Beyer, Sandra: Homosexuality in Pepi, Luci, Bom y otras chicas del montón, Laberinto de Pasiones and Entre Tinieblas of the post-modern director Pedro Almodovar - nouveau livre

ISBN: 9783638760065

ID: 63009882

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Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas"

Scholarly Paper (Advanced Seminar) aus dem Jahr 2004 im Fachbereich Romanistik - Spanische Sprache, Literatur, Landeskunde, einseitig bedruckt, Note: 1,3 (A), Veranstaltung: Spanish Cinema, Sprache: Englisch, Anmerkungen: double spaced. , Abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'.

Informations détaillées sur le livre - Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas"


EAN (ISBN-13): 9783638760065
ISBN (ISBN-10): 3638760065
Livre de poche
Date de parution: 2007
Editeur: GRIN Verlag
40 Pages
Poids: 0,061 kg
Langue: eng/Englisch

Livre dans la base de données depuis 02.01.2008 21:38:54
Livre trouvé récemment le 19.11.2017 21:38:35
ISBN/EAN: 3638760065

ISBN - Autres types d'écriture:
3-638-76006-5, 978-3-638-76006-5


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