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The New Brutality Film: Race and Affect in Contemporary American Cinema - Paul Gormley
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Paul Gormley:
The New Brutality Film: Race and Affect in Contemporary American Cinema - Livres de poche

2005, ISBN: 1841501190

[SR: 1754588], Paperback, [EAN: 9781841501192], University of Chicago Press, University of Chicago Press, Book, [PU: University of Chicago Press], 2005-08-01, University of Chicago Press, The 1990s saw the emergence of a new kind of American cinema, which this book calls the 'new-brutality film'. Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture., 269265, Computer Science, 269709, Algorithms, 269656, Architecture & Microprocessors, 404260, Artificial Intelligence, 269899, Databases, 269279, Information Systems, 269955, Interface Design, 269520, Networking & Security, 269622, Operating Systems, 269678, Programming, 269507, Security, 14159921, Software Design & Engineering, 269349, Systems Analysis & Design, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 14288281, Amazon, 14288271, Online Shopping, 14288081, Digital Lifestyle, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 404158, Animation & Multimedia, 269938, Graphics & Multimedia, 269870, Software & Graphics, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 270447, Criticism & Theory, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 513000, Computers & Film, 512984, Production & Technology, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 278320, Mathematics, 278321, Algebra, 278329, Applied Mathematics, 278337, Calculus & Mathematical Analysis, 922518, Chaos, 278348, Combinatorics & Graph Theory, 278350, Discrete Mathematics, 922526, Education, 278353, Geometry & Topology, 278362, History of Mathematics, 278363, Mathematical Foundations, 922522, Mathematical Theory, 922530, Modelling, 278373, Numbers, 278380, Optimisation, 278384, Philosophy of Mathematics, 922520, Popular Maths, 278385, Probability & Statistics, 922944, Recreational, 278386, Reference, 57, Science & Nature, 1025612, Subjects, 266239, Books, 922942, Maths, 922868, Popular Science, 57, Science & Nature, 1025612, Subjects, 266239, Books, 564352, Mathematics, 570902, Algebra, 570874, Applied Mathematics, 570912, Calculus & Mathematical Analysis, 570934, Combinatorics & Graph Theory, 570936, Geometry, 570964, Mathematical Theory, 564334, Scientific, Technical & Medical, 1025612, Subjects, 266239, Books

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The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema - Gormley, Paul / Symposium on Logic in Computer Science (20th 2005 Chicago, I
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The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema - livre d'occasion

2005, ISBN: 9781841501192

ID: 7463992

The 1990s saw the emergence of a new kind of American cinema, which this book calls the "new-brutality film." Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like "Falling Down," "Reservoir Dogs," "Se7en," and "Strange Days" sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture. The book uses several films as case-studies to chart these developments: - "Falling Down" both appropriates of the political black rage of the 'hood film and is a transition point between the white postmodern blockbuster and the new-brutality film. - Gangsta films like "Boyz N the Hood" and "Menace II Society" provided the inspiration for much of the new-brutality film's mimesis of African-American culture - The films of Quentin Tarantino (including "Reservoir Dogs" and "Pulp Fiction") are new-brutality films that attempt to reanimate the affective power of Hollywood cinema. - "Se7en," "Strange Days," "Fight Club," and "The Matrix" trilogy signify both the development and the demise of the new-brutality film. This book charts and analyses an important period of Hollywood cinema as well as engaging with key contemporary thinkers (Deleuze, Jameson, Zizek and Benjamin) in a strikingly innovative fashion. Thework will appeal to dedicated film scholars, critical theorists and readers with a general interest in film. The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema Gormley, Paul / Symposium on Logic in Computer Science (20th 2005 Chicago, I, Intellect (UK)

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The New Brutality Film - Gormley, Paul
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The 1990s saw the emergence of a new kind of American cinema, which this book calls the newbrutality film. Violence and race have been at the heart of Hollywood cinema since its birth, but the newbrutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a longneglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of AfricanAmerican and particularly hiphop culture. The book uses several films as casestudies to chart these developments: Business Business eBook, Intellect

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The New-Brutality Film: Race and Affect in Contemporary American Cinema - Gormley, Paul
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Gormley, Paul:
The New-Brutality Film: Race and Affect in Contemporary American Cinema - edition reliée, livre de poche

2005, ISBN: 1841501190

ID: 18488649507

[EAN: 9781841501192], Gebraucht, sehr guter Zustand, [PU: Intellect Books, 01.08.2005.], Performing Arts|Film|General, Performing Arts|Film|History & Criticism, Social Science|Discrimination & Race Relations, Jacket, 256 Seiten Sofortversand! Gutes Exemplar, geringe Gebrauchsspuren, Cover und Schnitt leicht berieben/bestoßen, innen alles in Ordnung; good – fine Immediate delivery in bubble wrap envelope! Good copy, light signs of previous use, cover/dust jacket has some rubbing/wear (along the edges), interior in good condition 160206ap07 ISBN: 9781841501192 Alle Preise inkl. MwST Sprache: Englisch Gewicht in Gramm: 419 22,8 x 17,0 x 1,6 cm, Taschenbuch

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The New-Brutality Film: Race and Affect in Contemporary American Cinema - Gormley, Paul
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The New-Brutality Film: Race and Affect in Contemporary American Cinema - Livres de poche

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256 Seiten 22,8 x 17,0 x 1,6 cm, Taschenbuch Sofortversand! Gutes Exemplar, geringe Gebrauchsspuren, Cover und Schnitt leicht berieben/bestoßen, innen alles in Ordnung; good – fine Immediate delivery in bubble wrap envelope! Good copy, light signs of previous use, cover/dust jacket has some rubbing/wear (along the edges), interior in good condition 160206ap07 ISBN: 9781841501192 Versand D: 3,00 EUR, [PU:Intellect Books,]

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The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema

The 1990s saw the emergence of a new kind of American cinema, which this book calls the 'new-brutality film'. Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture.

Informations détaillées sur le livre - The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema


EAN (ISBN-13): 9781841501192
ISBN (ISBN-10): 1841501190
Version reliée
Livre de poche
Date de parution: 2005
Editeur: Intellect (UK)
220 Pages
Poids: 0,431 kg
Langue: eng/Englisch

Livre dans la base de données depuis 13.01.2008 18:34:54
Livre trouvé récemment le 05.07.2017 21:46:25
ISBN/EAN: 1841501190

ISBN - Autres types d'écriture:
1-84150-119-0, 978-1-84150-119-2


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