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ISBN: 9780802005564

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur … Plus…

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Contemporary Italian Filmmaking - edition reliée, livre de poche

1995, ISBN: 9780802005564

Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation, Buch, Hardcover, Contemporary Italian Filmmaking is an innovative critique of Italian filmma… Plus…

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Manuela Gieri:
Contemporary Italian Filmmaking - edition reliée, livre de poche

1995, ISBN: 9780802005564

Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation, Buch, Hardcover, [PU: University of Toronto Press], University of Toronto Press, 1995

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Contemporary Italian Filmmaking

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines humoristic'. She delineates a Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore.A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the melodramatic imagination' and the humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

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EAN (ISBN-13): 9780802005564
ISBN (ISBN-10): 080200556X
Version reliée
Livre de poche
Date de parution: 1995
Editeur: University of Toronto Press
302 Pages
Poids: 0,699 kg
Langue: eng/Englisch

Livre dans la base de données depuis 2007-07-11T10:39:13+02:00 (Paris)
Page de détail modifiée en dernier sur 2024-01-25T17:37:04+01:00 (Paris)
ISBN/EAN: 080200556X

ISBN - Autres types d'écriture:
0-8020-0556-X, 978-0-8020-0556-4
Autres types d'écriture et termes associés:
Auteur du livre: gieri, fellini federico, pirandello, giuseppe tornatore, luigi moretti, maurizio
Titre du livre: contemporary iran, fellini, directors, subversion, pirandello, filmmaking, scola


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9781442673359 Contemporary Italian Filmmaking (Manuela Gieri)


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