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Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - Garrard, Mary D.
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Garrard, Mary D.:

Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - edition reliée, livre de poche

1989, ISBN: 0691040508

ID: 21101252960

[EAN: 9780691040509], Gebraucht, guter Zustand, [SC: 3.0], [PU: Princeton, N.J. : Princeton University Press,], Art|History, Jacket, XXV, 607 S. Umschlag leicht berieben, sonst gutes Exemplar. - Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravag-gio. This richly illustrated volume is the first full-length study of her life and work. Its scope is broadly interdisciplinary, drawing on classical mythology, theology, literature, drama, art theory, and psychology. In a lucid and compelling style, Mary Garrard shows that the artist's powerfully original treatments of mythic-heroic female subjects-Susanna, Judith, Lucretia, Cleopatra, the Allegory of Painting-depart radically from traditional interpretations of the same themes. For instance, Gentileschi's several versions of Judith beheading the tyrant Ho-lofernes are in sharp contrast to those of male interpreters of the Apocryphal story-who often, it seems, felt threatened by its implications. Male artists of Artemisia's time were changing Judith's image from a paragon of Hebrew chastity, strength, and courage to a beautiful but vacuous mannequin or a subtly evil temptress. Gentileschi's Judiths, in contrast, are complex, multidimensional women acting in a world that mirrors contemporary reality. The rape of Artemisia Gentileschi by the artist Agostino Tassi, a family friend, and the ensuing trial that she endured is one of the causes célèbres of art history. Although some scholars have seen Artemisia's Judiths as expressions of fantasy revenge stemming from this experience, Garrard argues that this view is an oversimplification. In persuasive terms she demonstrates that Gentileschi's images of Judith and other female heroes offer models of psychic struggle and liberation in alien and repressive environments that would have been as relevant to the ongoing seventeenth-century feminist debate-also discussed in the book-as they remain today. Appendixes include the first English translations of Artemisia's letters and of an abridged transcript of the rape trial. ISBN 0691040508 Wir versenden am Tag der Bestellung von Montag bis Freitag. Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

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Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - Garrard, Mary D.
Livre non disponible
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Garrard, Mary D.:

Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - livre d'occasion

1989, ISBN: 9780691040509

[PU: Princeton, N.J. : Princeton University Press], XXV, 607 S. Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag. Umschlag leicht berieben, sonst gutes Exemplar. - Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravag-gio. This richly illustrated volume is the first full-length study of her life and work. Its scope is broadly interdisciplinary, drawing on classical mythology, theology, literature, drama, art theory, and psychology. In a lucid and compelling style, Mary Garrard shows that the artist's powerfully original treatments of mythic-heroic female subjects-Susanna, Judith, Lucretia, Cleopatra, the Allegory of Painting-depart radically from traditional interpretations of the same themes. For instance, Gentileschi's several versions of Judith beheading the tyrant Ho-lofernes are in sharp contrast to those of male interpreters of the Apocryphal story-who often, it seems, felt threatened by its implications. Male artists of Artemisia's time were changing Judith's image from a paragon of Hebrew chastity, strength, and courage to a beautiful but vacuous mannequin or a subtly evil temptress. Gentileschi's Judiths, in contrast, are complex, multidimensional women acting in a world that mirrors contemporary reality. The rape of Artemisia Gentileschi by the artist Agostino Tassi, a family friend, and the ensuing trial that she endured is one of the causes célèbres of art history. Although some scholars have seen Artemisia's Judiths as expressions of fantasy revenge stemming from this experience, Garrard argues that this view is an oversimplification. In persuasive terms she demonstrates that Gentileschi's images of Judith and other female heroes offer models of psychic struggle and liberation in alien and repressive environments that would have been as relevant to the ongoing seventeenth-century feminist debate-also discussed in the book-as they remain today. Appendixes include the first English translations of Artemisia's letters and of an abridged transcript of the rape trial. ISBN 0691040508 Wir versenden am Tag der Bestellung von Montag bis Freitag., [SC: 4.00], gebraucht sehr gut, gewerbliches Angebot, [GW: 1550g]

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Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - Garrard, Mary D
Livre non disponible
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Garrard, Mary D:
Artemisia Gentileschi. The image of the female hero in Italian Baroque art. - livre d'occasion

1989

ISBN: 0691040508

ID: OR32062275 (1064540)

Princeton, N.J, Princeton University Press, XXV, 607 S. Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag. Umschlag leicht berieben, sonst gutes Exemplar. - Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravag-gio. This richly illustrated volume is the first full-length study of her life and work. Its scope is broadly interdisciplinary, drawing on classical mythology, theology, literature, drama, art theory, and psychology. In a lucid and compelling style, Mary Garrard shows that the artist's powerfully original treatments of mythic-heroic female subjects-Susanna, Judith, Lucretia, Cleopatra, the Allegory of Painting-depart radically from traditional interpretations of the same themes. For instance, Gentileschi's several versions of Judith beheading the tyrant Ho-lofernes are in sharp contrast to those of male interpreters of the Apocryphal story-who often, it seems, felt threatened by its implications. Male artists of Artemisia's time were changing Judith's image from a paragon of Hebrew chastity, strength, and courage to a beautiful but vacuous mannequin or a subtly evil temptress. Gentileschi's Judiths, in contrast, are complex, multidimensional women acting in a world that mirrors contemporary reality. The rape of Artemisia Gentileschi by the artist Agostino Tassi, a family friend, and the ensuing trial that she endured is one of the causes célèbres of art history. Although some scholars have seen Artemisia's Judiths as expressions of fantasy revenge stemming from this experience, Garrard argues that this view is an oversimplification. In persuasive terms she demonstrates that Gentileschi's images of Judith and other female heroes offer models of psychic struggle and liberation in alien and repressive environments that would have been as relevant to the ongoing seventeenth-century feminist debate-also discussed in the book-as they remain today. Appendixes include the first English translations of Artemisia's letters and of an abridged transcript of the rape trial. ISBN 0691040508 Kunstgeschichte 1989 Wir versenden am Tag der Bestellung von Montag bis Freitag., [PU: Princeton University Press]

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Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art - Mary D. Garrard
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Mary D. Garrard:
Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art - edition reliée, livre de poche

ISBN: 0691040508

[SR: 601010], Hardcover, [EAN: 9780691040509], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 15762841, Women in Art, 197504011, Themes, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 684260011, Art History, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art - Mary D. Garrard
Livre non disponible
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Mary D. Garrard:
Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art - edition reliée, livre de poche

ISBN: 0691040508

[SR: 601010], Hardcover, [EAN: 9780691040509], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 15762841, Women in Art, 197504011, Themes, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 684260011, Art History, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Détails sur le livre
Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art
Auteur:

Mary D. Garrard

Titre:

Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art

ISBN:

0691040508


Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.


Informations détaillées sur le livre - Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art


EAN (ISBN-13): 9780691040509
ISBN (ISBN-10): 0691040508
Version reliée
Date de parution: 1988
Editeur: Princeton University Press, Princeton

Livre dans la base de données depuis 20.05.2007 02:17:27
Livre trouvé récemment le 03.02.2017 22:17:11
ISBN/EAN: 0691040508

ISBN - Autres types d'écriture:
0-691-04050-8, 978-0-691-04050-9

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