The Visits of Constance (Three Albums) - exemplaire signée
1969, ISBN: 8e27446d94a5df647ecd31fea15cad6d
Livres de poche
BROOKLYN, NEW YORK, CHICAGO ILLINOIS. Good+. 1910. On offer is a very interesting archive of two [2] handwritten diaries and 14 early photos handwritten by Dr. Harry H. Baker of Brooklyn… Plus…
BROOKLYN, NEW YORK, CHICAGO ILLINOIS. Good+. 1910. On offer is a very interesting archive of two [2] handwritten diaries and 14 early photos handwritten by Dr. Harry H. Baker of Brooklyn New York and at one time Chicago Illinois. The diaries relate specifically to his life and practice but of particular note are entries detailing his own illness from diagnosis to death. [In fact he writes right up until the last week of his life.] Historians, researchers and collectors of medical writings of a personal and intimate nature will find this a unique perspective within the two small leather bound diaries that the doctor kept in 1910 and 1911. He lived at 480 East 19th Street, Brooklyn, New York. He kept careful daily recordings of his activities. Beginning in June 1910 through December he begins detailed records of his visits to the doctor and he gets a diagnosis of Mitral Stenosis. He reports frequently afterwards on symptoms and medication. He keeps up a lively social schedule through the rest of the year. The 1911 diary continues with the details of his medical condition as well as social visits. He records driving his auto and taking a doctor who was afraid to drive on his calls. In fact he seems to love taking people for a ride in his auto, no matter the weather, no matter how bad he feels. His condition worsens in April of 1911 and he requires a nurse at home. [Perhaps the same nurse who is represented in group of photos that came with these diaries?] He is bedridden and the diary ends May 7th. Research suggests he died only a few days later on May 12th. He sensed his oncoming death because at the end of April he makes out and signs a new will. Here are some snippets: 1910 "June 20th, Began Digalon (?) again. 5 qts. B's d. First since 4/9. 10 weeks. Legs swollen, worst since came from Ohio. Did not go down at night as formerly." "July 7th, Dig. 5 qts. Demonstration of Overland with Dr. F. When talking with Mr. Silver on curb felt faint. Sat on window ledge a moment. Worse. He took me in to Cowperthwaite's where I lay down on settee. Better. Walked to 62 Ave. Worse again. Sat and cold sweat on forehead. Pulse almost imperceptible. Lay down for almost 40-45 minutes. Better." "July 13th, Mr. Silver agreed to make me a special agent for Overland on 10 percent commission and sell me a car at special reduced price and give me prospect to follow up. Watch 52 seconds slow." "July 30th, Called on Mrs. Krause, Bismarck Hotel, Chicago. "Ed" Moved. "Isn't she a luscious piece of flesh" Fannie to Mrs. Clarke, music teacher, about Helen. Left 1934 Sedg. About 1 mo ago. H. W. at work for Field's on wagon. Mrs. Yorke and Mr. and Mrs. Opert's came." "August 6th, At Dr. Cady's 11:30-12:30. Walked over Brooklyn Bridge. Called on Clara Girrach and with her inspected Nurse's Home and several wards of Bellevue Hosp. No dig. Today. Watch 45 seconds slow ." "August 27th, Downtown then to Br. Beach. Walked to Marsh Beach and Ocean Ave. car. Then to Sheepshead Race Track where I saw Ely fly and one other. First flight I have seen. Entrancing. Wonderful. Watch 42 seconds slow ." "September 26th, Went to Bellevue Hosp. Poor report for Miss Brink, Supt. Of training nurses. Also poor report of Mr. Wilson of Roosevelt Hosp. Exam of Cadillac, Stearns and Jackson Autos." "October 2nd, Slept late and well. Went in auto with Dr. and Mrs. F. to call on Dr. Barnes at Williamsburg Hosp. Still in bed, over 4 weeks after operation for Apps. Chess. Pinochle in eve with Dr. and Will Raymond. No Dig." "October 4th, At home all day. In eve heard Elbert Hubbard lecture on "The New Religion" at Cooper Union with Theo. Met him and Madam Adrla Maria Rique'; also Kauffman." "November 14th, In bed till after 2 P.M. Headache, splitting now for about 4 weeks on account of hard cough. Cough not so hard, pain in and side of chest at old pneumonia spot. Heavy. Played chess with Will, he 6, I 4." 1911 "January 2nd, Went to E. NY and took Dr. F. on his calls. Returned to 480 E. 19th St. with Mrs. F. Took Elsie Randall through Prospect Part to Coney Island, Manhattan Beach and back via Ocean Ave. First time she had seen Atlantic Ocean. She enjoyed ride immensely. After dinner, music. Mr. and Mrs. Operts. Took Mrs. F. home in auto and stayed over night." "January 23rd, Went with will on his calls in his auto in A.M. After 2 took him in mine on a call then down town. Played 1 game of billiards at Knick's. He 25, I 24. Then home. Went to Dinsmon's and had stop cock of radiator lowered. After dinner took Mrs. F. to hear Surette and Charles G. Soprano's on Brooklyn's 1st Symphony. Met Auntie, Ida, Elsie Randall and Abbie Ingram there. 3 handed pinochle after getting home with Will and Raymond." "February 2nd, Drove auto downtown. Took Mr. Davis on a call. Called on Dr. Campbell. Had a talk with his wife. They bought a Cadillac. Dinner at McCann's. Took Mr. Lindon to St. Johns Hospital then went on to Archer's Hill, Jamaica where heard Mrs. Gregory on "Folk Lore and Songs of the South." Drove her home. Cold N.W. wind. She had had bad news from her sister." "March 1st, Went to NY with Will to Frank's office. Heard him explain why no one paid up notes. Told him I wanted everything turned back into my name. All my property. He first said he couldn't do it. I told him he had promised to do so and I now demanded that he should. Then he said he would see if he could figure out some way to protect both of us. Went to garage and got Jan. and Feb. bill receipts. Drove car to Dr. F's in garage on Penna Ave. Dig 5 qts." "March 21st, About 12:30 P.M. had an attack of weak heart and poor circulation causing awful tingling and numbness in leg then foot and toes became immovable. Will gave me Puls. Cc1. In 2-3 hrs it got some better tho tingling when touched on inside of leg and foot. 2 days. Pain with this was excruciating. Auntie came over and helped Dr. and Mrs. F. Had a nurse, Mrs. Evelyn at night." "April 5th, Slept fairly well. Felt better during day than since taken sick this time, tho very weak. Sharp pain about heart 4-5 times, very severe. Up most all day, 11-7 ." "April 21st, Slept about 5 hrs. Very well, no retarded respiration. Abd. full and feels heavy but no pain. Bad attack of shortness of breath 12-3. Auntie over all day. 35 ozs. urine 4 P.M. New will made out and books received by McD. Corrected new will. L. Thigh 23 ½". Urine 37 ozs. Dig 12 qts A.M. Dig 12 qts. P.M. Ars. 30 2h, 3 only." "May 5th, Slept 5 ¼ hrs. at night. None during day. Sat up most all day. Very difficult to lie down. Miss Smith sick and did not come Thursday night. Miss Arnold stayed till 11 A.M. 5". Auntie over and helped. Swells quite bad on account sitting up so much. About 5 Mr. Charles L. Thatcher over and Will and I each signed request for exam by a Reform of Ct. F. over to see Will 9-11 P.M. Miss Cunningham at night " Enhancing the narrative are related photographs showing Dr. Baker from childhood as a baby only 4 months and on into his adult years. There are 9 photos of him, all have his name on the back and some even his address at the time and the date. Two are duplicates, but the rest were taken during the various stages of his life. On the back of one it says "6239 Monroe Ave. Hyde Park, Chicago Ill. 1st Practicing medicine." One photo states: "Nurse. Mrs. Annis. 1908 or 1909." The other photos show his father and mother: The Rev. and Mrs. Ephraim Baker. Two of the CVDs are of Rev. Ephraim Baker at different ages. Then the younger man's photo was made by J.W. Clark, Mendota, Illinois, the older man was made by Soderberg, Sutton, Nebraska. His wife was Janet or Jeanette Whitney. There is a photo of her as an attractive young woman with her hair dressed with long curl on her shoulder. The photographer was J.W. Clark. The Cabinet photo shows her as an older woman and there is no photographer named. According to family research both people graduated from Oberlin College. They were the parents of Dr. H.H. Baker. The 1910 diary measures about 2 ½" x 4" and the 1911 diary measures about 2 ¾" x 5 ¼". Both the diaries and photos are in good shape. ; Manuscript; 32mo - over 4" - 5" tall; KEYWORDS: HISTORY OF, HARRY H. BAKER, BROOKLYN, NEW YORK, CHICAGO ILLINOIS, MITRAL STENOSIS, HEART FAILURE, HEART CONDITIONS, MEDICAL, MEDICINE, DOCTORS GETTING ILL, SICK DOCTORS, HEAR FAILURE, HEART CONDITIONS, HANDWRITTEN, MANUSCRIPT, DOCUMENT, LETTER, AUTOGRAPH, KEEPSAKE, WRITER, HAND WRITTEN, DOCUMENTS, SIGNED, LETTERS, MANUSCRIPTS, HISTORICAL, HOLOGRAPH, WRITERS, AUTOGRAPHS, PERSONAL, MEMOIR, MEMORIAL, PERSONAL HISTORY, ARCHIVE, DIARY, DIARIES, antiquité, contrat, vélin, document, manuscrit, papier Antike, Brief, Pergament, Dokument, Manuskript, Papier oggetto d'antiquariato, atto, velina, documento, manoscritto, carta antigüedad, hecho, vitela, documento, manuscrito, Papel, ., 1910, 2.5, April 27 - June 16, 1861. Softcover. Good. 82 leaf scrapbook with leather spine, covers missing. 28 cm. Contains 12 letters written home to family during a tour of Europe. Also includes photos and drawings (some identified), over 20 hotel bills, 1 menu from on board ship, 4 other menus, calling cards (including one for Jerome Napoleon Bonaparte), laundry bills, etc. A few stains and tears. An American named Frank J. Parker tours Europe in spring 1861, along with a friend, Mr. Knight. Their itinerary includes Ireland, England, France, Italy, Austria and Germany. Parker writes home to his wife four times, his brother Henry once, "Miss Editor" once, his son Frank once, his daughter Clara twice, his cousin Henrietta once, his brother Ned once, and the "News" (again Miss Editor). At rear he keeps a diary of his last adventures before sailing home and includes the "Illustrated News", a mock newspaper sent to him by "Miss Editor." Parker's letters often include amusing doodles, including the twisted spire on the church at Chesterfield, a front and side view of French mustaches, a gondola in Venice, a hotel bed, and pairs of pantaloons. Parker (1825-1909) was a cotton manufacturer from Boston. This is supported by his visit to a cotton mill in Litchfield, England, as recorded in a letter to his wife on May 2. The letter writer states he has been married 15 years on April 28, 1861 and Parker did indeed marry Anna Lyman April 28, 1846. Add to this that Francis Jewett Parker had a brother named Henry, a daughter named Clara, and a son named Frank, and the identification is complete. Parker's description of life aboard the Steamship America includes seasickness (Mr. Knight relieves himself over the side), how dishes are prevented from sliding off the table while dining in a rough sea, the ship's cook (who reads, makes pies, and smokes all at the same time), his disappointment in his first sight of whales, the death and burial at sea of the chief steward, and the pancakes on board not being like "Yankee pancakes." Upon arrival in England, Parker can report on English breakfasts served in front of coal fires, May Day celebrations in Bradford, how Derby is pronounced "Darby", how he can't understand why Hansom cabs don't tip over, a recipe for a very potent punch, and how the railway stations are "wonders of picturesque beauty." While in England, Parker visits Oxford and mentions "I have dined in the Common Hall of Christ Ch. College and tea'd with a professor in his room." On the opposite page he adds a note: "This 'professor' was Rev. Charles L. Dodgson author of Alice in Wonderland &c." Included is a 15 x 17 cm b&w photo of "End of Broad Walk & Christ Church Col. Meadows from Mr. C. Dodgson's Window." Of course, while Parker and Knight are travelling, their homeland is on the verge of Civil War and it weighs heavily on Parker's mind. He writes to his brother Henry on May 3 that "I expect to be in London on Monday - and shall not be surprised to receive letters of recall. Indeed the stirring news of the last few days - the Baltimore riot, more secession & etc would make a recall far from unwelcome. If nothing calls me home at once I shall hurry to Italy & then come moderately back to Paris." The Baltimore riot of April 19 was between Southern sympathizers and Massachusetts and Pennsylvania state militia troops en route to Washington for federal service. Numerous states had seceded from the union and would continue to do so over the coming days. On April 15, President Lincoln had called for 75,000 men to confront the South, which is why Parker expects to be called home. Despite the situation in the States, Parker and Knight head for France where Parker's "first essay in French was on a gendarme and was not entirely successful - Mr. K. helped me out by the ingenious expedient of talking English." They run into a New Yorker who wants to "go home and hang Jeff Davis." They see the French Emperor and Empress with their little prince returning from the Tuileries. In Italy, Parker meets an officer of the Sardinian army who politely shows them around the battleground of Magenta. Parker describes the twists and turns of the railroad journey through the Alps, the gorgeous livery of servants in Vienna, and how dinner in France, Italy and Germany includes a bottle of wine at no extra charge but butter costs extra. He avoids art galleries but enjoys seeing the towns, people and shops. Then there's beds: "In England a bedstead is a structure, a thing to be thought of and concerning which an architect should be consulted. In France it is a work of high art and tends more to the idea of millinery. In Germany it becomes a box with feather pillows of enormous size variously disposed upon it." Some of the hotels Parker stayed at are well known: Mitre Hotel, Oxford - Built 1630, this was an important coaching inn owned by Lincoln College. Taking its name from the mitre of the Bishop of Lincoln featured in the college coat of arms, it ceased to be an inn in 1969 and is now a student residence for Lincoln College. King's Arms, Kenilworth - Sir Walter Scott stayed here when writing his novel "Kenilworth." Golden Cross Hotel, Charing Cross, London - An inn mentioned by Dickens in several works, it was demolished to make room for South Africa House on Trafalgar Square. Hotel du Louvre, Paris - Historic hotel now owned by Hyatt, first built in 1855 but "relocated" across the street in the 1880s. Lamb Hotel, Ely - Originally built as a coaching inn in the 15th century, The Lamb sits near Ely Cathedral, still open. Gresham Hotel, Dublin - Historic building on O'Connell Street, built ca. 1817, still open, operated by RIU hotels. The Imperial Hotel, Cork - built 1813, still open, and host to many famous guests including Frederick Douglass, Charles Dickens, President Kennedy, and Princess Grace. Upon his return to the US, Parker was appointed a Major and commanded the First Battalion, Massachusetts Infantry. The Battalion, organized in November 1861 to garrison Fort Warren, Boston Harbor, formed the nucleus of the 32nd Infantry as it formed in the winter of 1861 and spring of 1862. Parker was commissioned and mustered as Lieutenant Colonel of the regiment on May 25, 1862, promoted to Colonel on August 6, 1862. He resigned his commission on December 27, 1862. After the Civil War, he moved to Newton, Mass. where he became Water Commissioner 1874-75. He was elected to the Massachusetts state senate in 1876 (he had already been elected to that body in 1858). He also found time to write a number of books, including a history of the 32nd Infantry and a genealogy of his mother's family, the Ainsworths. Interestingly, Parker seems like a man of our own time in one paragraph, a man of his own in the next. His descriptions are never dull and his family must have looked forward to each installment. This scrapbook is a treat for both real and armchair travellers, "Yank" or otherwise., 2.5, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
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The Visits of Constance (Three Albums) - livre d'occasion
1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
London, England: Richard Bentley, 1837. A New Edition, with Additions and Notes. Leather. Good. VOLUME IV ONLY, 1805 continued to 1807. 375 pages. Leather cover worn and scratched. De… Plus…
London, England: Richard Bentley, 1837. A New Edition, with Additions and Notes. Leather. Good. VOLUME IV ONLY, 1805 continued to 1807. 375 pages. Leather cover worn and scratched. Decorated endpapers. Footnotes. Includes chapters on pages 1805, 1806, and 1807, as well as Diagrams on pages 5, 25, 34, 40, 44, 48, 50, 68, 71, 102, 111, 113, and 167. Fold-outs at rear of volume. In one of the most comprehensive histories of the Navy in the Napoleonic Wars ever published, James' rigorous research methodology using various contemporary sources provides detailed descriptions of the operations of the Royal Navy in the period. Fleet campaigns and minor engagements are discussed, with technical and tactical details of ships and battles also provided. These volumes (here reissued from the 1859 edition) remain an invaluable source of information for the history of the Royal Navy during this fascinating period. The book remained a major reference work and was so often consulted that the Navy Records Society published an index to the history in 1895, which is now available on the Internet. Frederick Chamier wrote nautical novels somewhat in the style of Marryat, including The Unfortunate Man (1835), Ben Brace, the Last of Nelson's Agamemnons (1836), The Arethusa (1837), Jack Adams, the Mutineer (1838), The Spitfire (1840), Tom Bowling (1841), a trilogy Count Konigsmark (1845) and Jack Malcolm's Log (1846). In addition, he continued William James's Naval History and wrote some books of travel. William M. James (1780 - 28 May 1827) was a British lawyer and military historian who wrote important histories of the military engagements of the British with the French and Americans from 1793 through the 1820s. William James was trained in the law and began his career as an attorney. He practiced before the Supreme Court of Jamaica and served as a proctor in the Vice-Admiralty Court of Jamaica from 1801 to 1813. In 1812, when war broke out between Great Britain and the United States, James was in the United States. Detained by American authorities as a British national, he escaped to Halifax, Nova Scotia, in 1813. This experience interested him in the War of 1812 and he began to write about it, particularly defending the reputation of the Royal Navy and pointing out the factual errors and excessive claims that American reports made against the Royal Navy. His initial literary efforts seem to have been letters written to the editor of the Naval Chronicle under the pen name 'Boxer'. In 1816, he published his first pamphlet, An inquiry into the merits of the principal naval actions between Great Britain and the United States. This pamphlet caused a controversy in the United States, leading to much American criticism of James's views. James went on to write his six-volume Naval History of Great Britain, 1793 - 1827 in reaction to American accounts of the War of 1812. Similar in approach, this work was highly critical of the history that his contemporary Captain Edward Pelham Brenton had written on the subject and led to controversy between them that is reflected in successive editions of their works. James's legal background would influence his approach to obtaining evidence. He attempted, therefore, and managed to board American warships and speak to their crews, to verify their characteristics at first hand. In this pursuit he noted, for example, that the USS Constitution was not only much larger, but also more heavily manned and armed, than HMS Guerriere - contrary to previous American claims that the ships had been equal at the time of their engagement. More alleged erroneous American assertions were dealt with. Equally, James was not shy to criticize British officers as well, where he saw fit. James died in South Lambeth, London, in 1827, but his works continued to be published. Captain Frederick Chamier expanded the work in 1837 to include the Burmese War and the Battle of Navarino., Richard Bentley, 1837, 2.5, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
usa, usa | Biblio.co.uk |
The Visits of Constance (Three Albums) - livre d'occasion
1990, ISBN: 8e27446d94a5df647ecd31fea15cad6d
1839. A fine original copper printing plate from "the finest and largest book about British Birds" (Jackson). An original etched copper printing plate, from Illustrations of British Orn… Plus…
1839. A fine original copper printing plate from "the finest and largest book about British Birds" (Jackson). An original etched copper printing plate, from Illustrations of British Ornithology [Edinburgh and London: (1821-)1834(-1839)], Plate-maker's stamp on verso "Willm. Pontifex Son & Co./ No 46/ Shoe Lane London." [With:] An uncoloured proof print from the plate. The plate was used to print plate 51 from Selby's major work. Christine Jackson writes of the prints: "The copper plates were superbly executed and the monochrome printed plates have an austere beauty unmatched in other bird books illustrated by line. Every feather is clearly visible, with all the details of the large flight feathers and the softer plumage standing out in immaculate precision. Tone, shade, and texture were all exploited to the fullest extent and demonstrate the best of which copper etching and engraving were capable" (Bird Etchings 1985, p.204). Prideaux John Selby was a versatile gentleman naturalist, born on 23 July 1788 in Alnwick, Northumberland, he inherited Twizell House and its estate in 1804, and throughout his life did not neglect his duties as a landowner, magistrate, High Sheriff, and then Deputy Lieutenant of Northumberland. He married Lewis Tabitha Mitford, the daughter of Bertram Mitford of Mitford Castle, Northumberland, in 1810, and by 1817 had a happy marriage, three daughters, and a house that had become a sort of upmarket `staging-post' for naturalists heading North and South along the nearby Great North Road. Visitors were to include John James Audubon (who gave Selby and his brother-in-law Robert Mitford lessons in drawing), Sir William Jardine (one of Selby's closest friends and a collaborator on various later works), John Gould, William Yarrell, H.E.Strickland, to name but a few. Natural History and Ornithology had been Selby's passion from youth, and Christine Jackson notes, in her excellent introduction to the Sotheby catalogue of the Bradley Martin collection of Selby watercolours, that, besides "collecting and preserving birds, Selby had observed them in the field, making careful notes of their habitat and habits. At his leisure, he also sensitively colored drawings of them. With this accumulation of practical knowledge, specimens, and some drawings, Selby embarked in 1819 on an ambitious project to publish the most up-to-date, life-size illustrations of British birds. Since he had an incomplete pictorial record of his birds, many remained to be drawn while publication of the parts of the work proceeded. The aim was to issue each part comprising twelve plates at regular intervals of six months. The size of the paper chosen was elephant folio (27" x 21½") in order that most of the birds might be represented life-size. For each plate, Selby made watercolor paintings of the species." "Selby etched his drawings on copper plates and then either took or sent the plates to William Home Lizars in Edinburgh. Either Lizars or one of his workmen took a pull [proof impression] from Selby's plate and worked on any parts necessary to bring the plate to a very fine state of completion. Selby and Sir William Jardine both purchased their copper plates and etching ground from Pontifex of London, and their letters refer to the progress made in drawing and 'biting' or etching their plates. If they made a mistake or accidently over-etched a plate, they relied on Lizars to correct by burnishing to lighten it" (Jackson Bird Etchings pp.202-204). Cf. BM (NH) IV,pp.1896-1896; cf. Fine Bird Books (1990) p.141; cf. Nissen IVB 853; cf. Zimmer p.571., 1839, 0, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
usa, usa | Biblio.co.uk |
The Visits of Constance (Three Albums) - livre d'occasion
1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following b… Plus…
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
Biblio.co.uk |
The Visits of Constance (Three Albums) - livre d'occasion
1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank car… Plus…
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
Biblio.co.uk |
The Visits of Constance (Three Albums) - exemplaire signée
1969, ISBN: 8e27446d94a5df647ecd31fea15cad6d
Livres de poche
BROOKLYN, NEW YORK, CHICAGO ILLINOIS. Good+. 1910. On offer is a very interesting archive of two [2] handwritten diaries and 14 early photos handwritten by Dr. Harry H. Baker of Brooklyn… Plus…
BROOKLYN, NEW YORK, CHICAGO ILLINOIS. Good+. 1910. On offer is a very interesting archive of two [2] handwritten diaries and 14 early photos handwritten by Dr. Harry H. Baker of Brooklyn New York and at one time Chicago Illinois. The diaries relate specifically to his life and practice but of particular note are entries detailing his own illness from diagnosis to death. [In fact he writes right up until the last week of his life.] Historians, researchers and collectors of medical writings of a personal and intimate nature will find this a unique perspective within the two small leather bound diaries that the doctor kept in 1910 and 1911. He lived at 480 East 19th Street, Brooklyn, New York. He kept careful daily recordings of his activities. Beginning in June 1910 through December he begins detailed records of his visits to the doctor and he gets a diagnosis of Mitral Stenosis. He reports frequently afterwards on symptoms and medication. He keeps up a lively social schedule through the rest of the year. The 1911 diary continues with the details of his medical condition as well as social visits. He records driving his auto and taking a doctor who was afraid to drive on his calls. In fact he seems to love taking people for a ride in his auto, no matter the weather, no matter how bad he feels. His condition worsens in April of 1911 and he requires a nurse at home. [Perhaps the same nurse who is represented in group of photos that came with these diaries?] He is bedridden and the diary ends May 7th. Research suggests he died only a few days later on May 12th. He sensed his oncoming death because at the end of April he makes out and signs a new will. Here are some snippets: 1910 "June 20th, Began Digalon (?) again. 5 qts. B's d. First since 4/9. 10 weeks. Legs swollen, worst since came from Ohio. Did not go down at night as formerly." "July 7th, Dig. 5 qts. Demonstration of Overland with Dr. F. When talking with Mr. Silver on curb felt faint. Sat on window ledge a moment. Worse. He took me in to Cowperthwaite's where I lay down on settee. Better. Walked to 62 Ave. Worse again. Sat and cold sweat on forehead. Pulse almost imperceptible. Lay down for almost 40-45 minutes. Better." "July 13th, Mr. Silver agreed to make me a special agent for Overland on 10 percent commission and sell me a car at special reduced price and give me prospect to follow up. Watch 52 seconds slow." "July 30th, Called on Mrs. Krause, Bismarck Hotel, Chicago. "Ed" Moved. "Isn't she a luscious piece of flesh" Fannie to Mrs. Clarke, music teacher, about Helen. Left 1934 Sedg. About 1 mo ago. H. W. at work for Field's on wagon. Mrs. Yorke and Mr. and Mrs. Opert's came." "August 6th, At Dr. Cady's 11:30-12:30. Walked over Brooklyn Bridge. Called on Clara Girrach and with her inspected Nurse's Home and several wards of Bellevue Hosp. No dig. Today. Watch 45 seconds slow ." "August 27th, Downtown then to Br. Beach. Walked to Marsh Beach and Ocean Ave. car. Then to Sheepshead Race Track where I saw Ely fly and one other. First flight I have seen. Entrancing. Wonderful. Watch 42 seconds slow ." "September 26th, Went to Bellevue Hosp. Poor report for Miss Brink, Supt. Of training nurses. Also poor report of Mr. Wilson of Roosevelt Hosp. Exam of Cadillac, Stearns and Jackson Autos." "October 2nd, Slept late and well. Went in auto with Dr. and Mrs. F. to call on Dr. Barnes at Williamsburg Hosp. Still in bed, over 4 weeks after operation for Apps. Chess. Pinochle in eve with Dr. and Will Raymond. No Dig." "October 4th, At home all day. In eve heard Elbert Hubbard lecture on "The New Religion" at Cooper Union with Theo. Met him and Madam Adrla Maria Rique'; also Kauffman." "November 14th, In bed till after 2 P.M. Headache, splitting now for about 4 weeks on account of hard cough. Cough not so hard, pain in and side of chest at old pneumonia spot. Heavy. Played chess with Will, he 6, I 4." 1911 "January 2nd, Went to E. NY and took Dr. F. on his calls. Returned to 480 E. 19th St. with Mrs. F. Took Elsie Randall through Prospect Part to Coney Island, Manhattan Beach and back via Ocean Ave. First time she had seen Atlantic Ocean. She enjoyed ride immensely. After dinner, music. Mr. and Mrs. Operts. Took Mrs. F. home in auto and stayed over night." "January 23rd, Went with will on his calls in his auto in A.M. After 2 took him in mine on a call then down town. Played 1 game of billiards at Knick's. He 25, I 24. Then home. Went to Dinsmon's and had stop cock of radiator lowered. After dinner took Mrs. F. to hear Surette and Charles G. Soprano's on Brooklyn's 1st Symphony. Met Auntie, Ida, Elsie Randall and Abbie Ingram there. 3 handed pinochle after getting home with Will and Raymond." "February 2nd, Drove auto downtown. Took Mr. Davis on a call. Called on Dr. Campbell. Had a talk with his wife. They bought a Cadillac. Dinner at McCann's. Took Mr. Lindon to St. Johns Hospital then went on to Archer's Hill, Jamaica where heard Mrs. Gregory on "Folk Lore and Songs of the South." Drove her home. Cold N.W. wind. She had had bad news from her sister." "March 1st, Went to NY with Will to Frank's office. Heard him explain why no one paid up notes. Told him I wanted everything turned back into my name. All my property. He first said he couldn't do it. I told him he had promised to do so and I now demanded that he should. Then he said he would see if he could figure out some way to protect both of us. Went to garage and got Jan. and Feb. bill receipts. Drove car to Dr. F's in garage on Penna Ave. Dig 5 qts." "March 21st, About 12:30 P.M. had an attack of weak heart and poor circulation causing awful tingling and numbness in leg then foot and toes became immovable. Will gave me Puls. Cc1. In 2-3 hrs it got some better tho tingling when touched on inside of leg and foot. 2 days. Pain with this was excruciating. Auntie came over and helped Dr. and Mrs. F. Had a nurse, Mrs. Evelyn at night." "April 5th, Slept fairly well. Felt better during day than since taken sick this time, tho very weak. Sharp pain about heart 4-5 times, very severe. Up most all day, 11-7 ." "April 21st, Slept about 5 hrs. Very well, no retarded respiration. Abd. full and feels heavy but no pain. Bad attack of shortness of breath 12-3. Auntie over all day. 35 ozs. urine 4 P.M. New will made out and books received by McD. Corrected new will. L. Thigh 23 ½". Urine 37 ozs. Dig 12 qts A.M. Dig 12 qts. P.M. Ars. 30 2h, 3 only." "May 5th, Slept 5 ¼ hrs. at night. None during day. Sat up most all day. Very difficult to lie down. Miss Smith sick and did not come Thursday night. Miss Arnold stayed till 11 A.M. 5". Auntie over and helped. Swells quite bad on account sitting up so much. About 5 Mr. Charles L. Thatcher over and Will and I each signed request for exam by a Reform of Ct. F. over to see Will 9-11 P.M. Miss Cunningham at night " Enhancing the narrative are related photographs showing Dr. Baker from childhood as a baby only 4 months and on into his adult years. There are 9 photos of him, all have his name on the back and some even his address at the time and the date. Two are duplicates, but the rest were taken during the various stages of his life. On the back of one it says "6239 Monroe Ave. Hyde Park, Chicago Ill. 1st Practicing medicine." One photo states: "Nurse. Mrs. Annis. 1908 or 1909." The other photos show his father and mother: The Rev. and Mrs. Ephraim Baker. Two of the CVDs are of Rev. Ephraim Baker at different ages. Then the younger man's photo was made by J.W. Clark, Mendota, Illinois, the older man was made by Soderberg, Sutton, Nebraska. His wife was Janet or Jeanette Whitney. There is a photo of her as an attractive young woman with her hair dressed with long curl on her shoulder. The photographer was J.W. Clark. The Cabinet photo shows her as an older woman and there is no photographer named. According to family research both people graduated from Oberlin College. They were the parents of Dr. H.H. Baker. The 1910 diary measures about 2 ½" x 4" and the 1911 diary measures about 2 ¾" x 5 ¼". Both the diaries and photos are in good shape. ; Manuscript; 32mo - over 4" - 5" tall; KEYWORDS: HISTORY OF, HARRY H. BAKER, BROOKLYN, NEW YORK, CHICAGO ILLINOIS, MITRAL STENOSIS, HEART FAILURE, HEART CONDITIONS, MEDICAL, MEDICINE, DOCTORS GETTING ILL, SICK DOCTORS, HEAR FAILURE, HEART CONDITIONS, HANDWRITTEN, MANUSCRIPT, DOCUMENT, LETTER, AUTOGRAPH, KEEPSAKE, WRITER, HAND WRITTEN, DOCUMENTS, SIGNED, LETTERS, MANUSCRIPTS, HISTORICAL, HOLOGRAPH, WRITERS, AUTOGRAPHS, PERSONAL, MEMOIR, MEMORIAL, PERSONAL HISTORY, ARCHIVE, DIARY, DIARIES, antiquité, contrat, vélin, document, manuscrit, papier Antike, Brief, Pergament, Dokument, Manuskript, Papier oggetto d'antiquariato, atto, velina, documento, manoscritto, carta antigüedad, hecho, vitela, documento, manuscrito, Papel, ., 1910, 2.5, April 27 - June 16, 1861. Softcover. Good. 82 leaf scrapbook with leather spine, covers missing. 28 cm. Contains 12 letters written home to family during a tour of Europe. Also includes photos and drawings (some identified), over 20 hotel bills, 1 menu from on board ship, 4 other menus, calling cards (including one for Jerome Napoleon Bonaparte), laundry bills, etc. A few stains and tears. An American named Frank J. Parker tours Europe in spring 1861, along with a friend, Mr. Knight. Their itinerary includes Ireland, England, France, Italy, Austria and Germany. Parker writes home to his wife four times, his brother Henry once, "Miss Editor" once, his son Frank once, his daughter Clara twice, his cousin Henrietta once, his brother Ned once, and the "News" (again Miss Editor). At rear he keeps a diary of his last adventures before sailing home and includes the "Illustrated News", a mock newspaper sent to him by "Miss Editor." Parker's letters often include amusing doodles, including the twisted spire on the church at Chesterfield, a front and side view of French mustaches, a gondola in Venice, a hotel bed, and pairs of pantaloons. Parker (1825-1909) was a cotton manufacturer from Boston. This is supported by his visit to a cotton mill in Litchfield, England, as recorded in a letter to his wife on May 2. The letter writer states he has been married 15 years on April 28, 1861 and Parker did indeed marry Anna Lyman April 28, 1846. Add to this that Francis Jewett Parker had a brother named Henry, a daughter named Clara, and a son named Frank, and the identification is complete. Parker's description of life aboard the Steamship America includes seasickness (Mr. Knight relieves himself over the side), how dishes are prevented from sliding off the table while dining in a rough sea, the ship's cook (who reads, makes pies, and smokes all at the same time), his disappointment in his first sight of whales, the death and burial at sea of the chief steward, and the pancakes on board not being like "Yankee pancakes." Upon arrival in England, Parker can report on English breakfasts served in front of coal fires, May Day celebrations in Bradford, how Derby is pronounced "Darby", how he can't understand why Hansom cabs don't tip over, a recipe for a very potent punch, and how the railway stations are "wonders of picturesque beauty." While in England, Parker visits Oxford and mentions "I have dined in the Common Hall of Christ Ch. College and tea'd with a professor in his room." On the opposite page he adds a note: "This 'professor' was Rev. Charles L. Dodgson author of Alice in Wonderland &c." Included is a 15 x 17 cm b&w photo of "End of Broad Walk & Christ Church Col. Meadows from Mr. C. Dodgson's Window." Of course, while Parker and Knight are travelling, their homeland is on the verge of Civil War and it weighs heavily on Parker's mind. He writes to his brother Henry on May 3 that "I expect to be in London on Monday - and shall not be surprised to receive letters of recall. Indeed the stirring news of the last few days - the Baltimore riot, more secession & etc would make a recall far from unwelcome. If nothing calls me home at once I shall hurry to Italy & then come moderately back to Paris." The Baltimore riot of April 19 was between Southern sympathizers and Massachusetts and Pennsylvania state militia troops en route to Washington for federal service. Numerous states had seceded from the union and would continue to do so over the coming days. On April 15, President Lincoln had called for 75,000 men to confront the South, which is why Parker expects to be called home. Despite the situation in the States, Parker and Knight head for France where Parker's "first essay in French was on a gendarme and was not entirely successful - Mr. K. helped me out by the ingenious expedient of talking English." They run into a New Yorker who wants to "go home and hang Jeff Davis." They see the French Emperor and Empress with their little prince returning from the Tuileries. In Italy, Parker meets an officer of the Sardinian army who politely shows them around the battleground of Magenta. Parker describes the twists and turns of the railroad journey through the Alps, the gorgeous livery of servants in Vienna, and how dinner in France, Italy and Germany includes a bottle of wine at no extra charge but butter costs extra. He avoids art galleries but enjoys seeing the towns, people and shops. Then there's beds: "In England a bedstead is a structure, a thing to be thought of and concerning which an architect should be consulted. In France it is a work of high art and tends more to the idea of millinery. In Germany it becomes a box with feather pillows of enormous size variously disposed upon it." Some of the hotels Parker stayed at are well known: Mitre Hotel, Oxford - Built 1630, this was an important coaching inn owned by Lincoln College. Taking its name from the mitre of the Bishop of Lincoln featured in the college coat of arms, it ceased to be an inn in 1969 and is now a student residence for Lincoln College. King's Arms, Kenilworth - Sir Walter Scott stayed here when writing his novel "Kenilworth." Golden Cross Hotel, Charing Cross, London - An inn mentioned by Dickens in several works, it was demolished to make room for South Africa House on Trafalgar Square. Hotel du Louvre, Paris - Historic hotel now owned by Hyatt, first built in 1855 but "relocated" across the street in the 1880s. Lamb Hotel, Ely - Originally built as a coaching inn in the 15th century, The Lamb sits near Ely Cathedral, still open. Gresham Hotel, Dublin - Historic building on O'Connell Street, built ca. 1817, still open, operated by RIU hotels. The Imperial Hotel, Cork - built 1813, still open, and host to many famous guests including Frederick Douglass, Charles Dickens, President Kennedy, and Princess Grace. Upon his return to the US, Parker was appointed a Major and commanded the First Battalion, Massachusetts Infantry. The Battalion, organized in November 1861 to garrison Fort Warren, Boston Harbor, formed the nucleus of the 32nd Infantry as it formed in the winter of 1861 and spring of 1862. Parker was commissioned and mustered as Lieutenant Colonel of the regiment on May 25, 1862, promoted to Colonel on August 6, 1862. He resigned his commission on December 27, 1862. After the Civil War, he moved to Newton, Mass. where he became Water Commissioner 1874-75. He was elected to the Massachusetts state senate in 1876 (he had already been elected to that body in 1858). He also found time to write a number of books, including a history of the 32nd Infantry and a genealogy of his mother's family, the Ainsworths. Interestingly, Parker seems like a man of our own time in one paragraph, a man of his own in the next. His descriptions are never dull and his family must have looked forward to each installment. This scrapbook is a treat for both real and armchair travellers, "Yank" or otherwise., 2.5, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
Jardine, [Annette] Constance (1876 - 1963), compiler, writer, artist. Contributions by Charles Crombie, Henry J. Ford, etc.:
The Visits of Constance (Three Albums) - livre d'occasion1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
London, England: Richard Bentley, 1837. A New Edition, with Additions and Notes. Leather. Good. VOLUME IV ONLY, 1805 continued to 1807. 375 pages. Leather cover worn and scratched. De… Plus…
London, England: Richard Bentley, 1837. A New Edition, with Additions and Notes. Leather. Good. VOLUME IV ONLY, 1805 continued to 1807. 375 pages. Leather cover worn and scratched. Decorated endpapers. Footnotes. Includes chapters on pages 1805, 1806, and 1807, as well as Diagrams on pages 5, 25, 34, 40, 44, 48, 50, 68, 71, 102, 111, 113, and 167. Fold-outs at rear of volume. In one of the most comprehensive histories of the Navy in the Napoleonic Wars ever published, James' rigorous research methodology using various contemporary sources provides detailed descriptions of the operations of the Royal Navy in the period. Fleet campaigns and minor engagements are discussed, with technical and tactical details of ships and battles also provided. These volumes (here reissued from the 1859 edition) remain an invaluable source of information for the history of the Royal Navy during this fascinating period. The book remained a major reference work and was so often consulted that the Navy Records Society published an index to the history in 1895, which is now available on the Internet. Frederick Chamier wrote nautical novels somewhat in the style of Marryat, including The Unfortunate Man (1835), Ben Brace, the Last of Nelson's Agamemnons (1836), The Arethusa (1837), Jack Adams, the Mutineer (1838), The Spitfire (1840), Tom Bowling (1841), a trilogy Count Konigsmark (1845) and Jack Malcolm's Log (1846). In addition, he continued William James's Naval History and wrote some books of travel. William M. James (1780 - 28 May 1827) was a British lawyer and military historian who wrote important histories of the military engagements of the British with the French and Americans from 1793 through the 1820s. William James was trained in the law and began his career as an attorney. He practiced before the Supreme Court of Jamaica and served as a proctor in the Vice-Admiralty Court of Jamaica from 1801 to 1813. In 1812, when war broke out between Great Britain and the United States, James was in the United States. Detained by American authorities as a British national, he escaped to Halifax, Nova Scotia, in 1813. This experience interested him in the War of 1812 and he began to write about it, particularly defending the reputation of the Royal Navy and pointing out the factual errors and excessive claims that American reports made against the Royal Navy. His initial literary efforts seem to have been letters written to the editor of the Naval Chronicle under the pen name 'Boxer'. In 1816, he published his first pamphlet, An inquiry into the merits of the principal naval actions between Great Britain and the United States. This pamphlet caused a controversy in the United States, leading to much American criticism of James's views. James went on to write his six-volume Naval History of Great Britain, 1793 - 1827 in reaction to American accounts of the War of 1812. Similar in approach, this work was highly critical of the history that his contemporary Captain Edward Pelham Brenton had written on the subject and led to controversy between them that is reflected in successive editions of their works. James's legal background would influence his approach to obtaining evidence. He attempted, therefore, and managed to board American warships and speak to their crews, to verify their characteristics at first hand. In this pursuit he noted, for example, that the USS Constitution was not only much larger, but also more heavily manned and armed, than HMS Guerriere - contrary to previous American claims that the ships had been equal at the time of their engagement. More alleged erroneous American assertions were dealt with. Equally, James was not shy to criticize British officers as well, where he saw fit. James died in South Lambeth, London, in 1827, but his works continued to be published. Captain Frederick Chamier expanded the work in 1837 to include the Burmese War and the Battle of Navarino., Richard Bentley, 1837, 2.5, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
The Visits of Constance (Three Albums) - livre d'occasion
1990
ISBN: 8e27446d94a5df647ecd31fea15cad6d
1839. A fine original copper printing plate from "the finest and largest book about British Birds" (Jackson). An original etched copper printing plate, from Illustrations of British Orn… Plus…
1839. A fine original copper printing plate from "the finest and largest book about British Birds" (Jackson). An original etched copper printing plate, from Illustrations of British Ornithology [Edinburgh and London: (1821-)1834(-1839)], Plate-maker's stamp on verso "Willm. Pontifex Son & Co./ No 46/ Shoe Lane London." [With:] An uncoloured proof print from the plate. The plate was used to print plate 51 from Selby's major work. Christine Jackson writes of the prints: "The copper plates were superbly executed and the monochrome printed plates have an austere beauty unmatched in other bird books illustrated by line. Every feather is clearly visible, with all the details of the large flight feathers and the softer plumage standing out in immaculate precision. Tone, shade, and texture were all exploited to the fullest extent and demonstrate the best of which copper etching and engraving were capable" (Bird Etchings 1985, p.204). Prideaux John Selby was a versatile gentleman naturalist, born on 23 July 1788 in Alnwick, Northumberland, he inherited Twizell House and its estate in 1804, and throughout his life did not neglect his duties as a landowner, magistrate, High Sheriff, and then Deputy Lieutenant of Northumberland. He married Lewis Tabitha Mitford, the daughter of Bertram Mitford of Mitford Castle, Northumberland, in 1810, and by 1817 had a happy marriage, three daughters, and a house that had become a sort of upmarket `staging-post' for naturalists heading North and South along the nearby Great North Road. Visitors were to include John James Audubon (who gave Selby and his brother-in-law Robert Mitford lessons in drawing), Sir William Jardine (one of Selby's closest friends and a collaborator on various later works), John Gould, William Yarrell, H.E.Strickland, to name but a few. Natural History and Ornithology had been Selby's passion from youth, and Christine Jackson notes, in her excellent introduction to the Sotheby catalogue of the Bradley Martin collection of Selby watercolours, that, besides "collecting and preserving birds, Selby had observed them in the field, making careful notes of their habitat and habits. At his leisure, he also sensitively colored drawings of them. With this accumulation of practical knowledge, specimens, and some drawings, Selby embarked in 1819 on an ambitious project to publish the most up-to-date, life-size illustrations of British birds. Since he had an incomplete pictorial record of his birds, many remained to be drawn while publication of the parts of the work proceeded. The aim was to issue each part comprising twelve plates at regular intervals of six months. The size of the paper chosen was elephant folio (27" x 21½") in order that most of the birds might be represented life-size. For each plate, Selby made watercolor paintings of the species." "Selby etched his drawings on copper plates and then either took or sent the plates to William Home Lizars in Edinburgh. Either Lizars or one of his workmen took a pull [proof impression] from Selby's plate and worked on any parts necessary to bring the plate to a very fine state of completion. Selby and Sir William Jardine both purchased their copper plates and etching ground from Pontifex of London, and their letters refer to the progress made in drawing and 'biting' or etching their plates. If they made a mistake or accidently over-etched a plate, they relied on Lizars to correct by burnishing to lighten it" (Jackson Bird Etchings pp.202-204). Cf. BM (NH) IV,pp.1896-1896; cf. Fine Bird Books (1990) p.141; cf. Nissen IVB 853; cf. Zimmer p.571., 1839, 0, 1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
The Visits of Constance (Three Albums) - livre d'occasion
1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following b… Plus…
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
The Visits of Constance (Three Albums) - livre d'occasion
1954, ISBN: 8e27446d94a5df647ecd31fea15cad6d
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank car… Plus…
1898-1920. I: 25 by 31 cm, oblong, 58 pp. Covering years 1898 to 1901. II: 32 by 43 cm, oblong. Covering years 1902 to 1905. 61 pp. III: 33 by 43 cm, oblong. 60 pp. following by blank card leaves. Covers years 1907 to 1920s (latter part is more scattered).Among the watercolors are two by Charles Crombie, both of the rules of golf, a few years before he had similar work published in his Rules of Golf, and two by Henry J. Ford. With approx.. 67 watercolors, 38 pen and ink and 6 pencil drawings. (These elude a precise count since the images are sometimes a collage and thus a matter of opinion whether they represent discrete illustrations. In just one instance, we counted as a single pen and ink drawing a group that might as easily be regarded as a dozen individual drawings. Some of the items might appropriately be described as vignettes or cameos; when there are a few of these, all somehow related, on a single page, we count them as just one. When a picture carries over onto two pages, we count that as one. The watercolors generally have some pen and ink work, but the result reads as a watercolor painting. Among the works tallied as pen and ink illustrations are a few with a small quotient of color, including watercolor. Since in our judgment the pen and ink aspect of these pieces dominates, we treat them as pen and ink.)These are a remarkable set of three albums chronicling weekend visits to numerous grand country homes during the Edwardian Age. The compiler, Constance Jardine, was a cinch as a popular guest, blessed with good looks, connections, talent, and one can surmise, charm and an ingratiating personality. She was clearly someone who reveled in the comforts and privileges that were a part of the whole way of life that was soon to unravel with the upheavals brought on by the First World War, death taxes and the whole reordering of society that went along with modernity. These disruptions figure into the latter part of the third album, as the entries change in character and the organizing principle no longer centers around particular weekend jaunts. But until that point, the albums can be enjoyed by us as pure escapism to Jardines milieu. If you ask us, Jardine invites us to do that, just as she must have enthusiastically shared her albums with her hosts and fellow guests. One can picture her producing the album in progress at tea, or perhaps by a fireside on a rainy day, letting others leaf through its pages, and exhorting them to contribute a clever verse, a funny drawing, or simply their autograph.Hers was the rarefied world now popularly recreated with the hit serial series, Downton Abbey. Or was it? Downton Abbey and other fictional works like it offer a very loose parallel, since there were layers and divisions within that world. Never do we encounter Royalty in the albums, nor were the parties overflowing with dukes, viscounts, prime ministers or other ranking cabinet members. Constances itinerary did not take in the most magnificent and storied of estates places like Woburn Abbey, Chatsworth, Castle Howard or Blenheim and some of the homes look comparatively modest. Rather, the album covers what we might regard as the more ordinary rich at play. There are a handful of the genuinely fame, but most could probably have walked across Trafalgar Square without causing heads to turn. In the context of social history, this is part of the value of these albums; they offer us a glimpse on the upper class of that time and place akin to what we might find in a Henry James or John Galsworthy novel, but without being mediated by an author who has molded the material to fit his own literary ends. In this far more expansive layer of the upper crust it was not conceivable that everyone knew everyone else, even by reputation, but the pleasures of social life were just as great, if not more so, than the pageantry of a weekend where the guest list was culled down to the cream of society, and where some of the fizzle was from the deliberate bringing together of people not well-acquainted with one another. For all its brilliance, this Cliveden sort of weekend, and all its accompanying intricate choreography, had an oppressiveness side to it.One can tell from the albums that things were more relaxed during one of Constances country house weekends. Since the same names crop up time and again, we can deduce that many of the guests were part of one or two circles of friends. Their days in the country were filled with angling, foxhunting, rabbit hunting, upland bird shooting, croquet, croquet, tennis, golf, card tables, balls and masquerades. Or they might spend an afternoon taking in the race track or a regatta. Which activities were pursued depended a lot on the location and the season, obviously. Not to contradict the argument of the prior paragraphs, but there were some recognizable names among those Constance spent these weekends with. We encounter the autograph of the composer Ralph Vaughan Williams a number of times. One weekend included John Hay, the American Secretary of State and formerly the ambassador to Great Britain. From the business world a regular was Ralph Slazenger, a founder of the eponymous sporting goods company. We come across repeatedly members of the Bonham Carter and the Vernon-Harcourt families, both names with name recognition still. Without question there were others, now forgotten, who had some renown in their day. The list of properties visited is long, with multiple visits to many of the estates. The properties were scattered throughout the British Isles, and many have names with a poetic lilt. A few are now on the National Trust; others have long ago been converted to other uses, including corporate retreats, nursing homes, condominiums, and not a few have fallen victim to the wrecking ball, as their high cost of maintenance and the tax code conspired to incentivize their destruction for many years of the mid-twentieth century. The properties include Fulmer House; Kilmartin, Drumnadrochit; Paxhill Park, Lindfield, Sussex; Leith Hill, Dorking, twice; Oldany Lodge; Lochinver; Urrard; Orche Hill, Gerrards Cross, Uxbridge; Dunninald; Kincardine; Brahan; Rushwood; Stronchreggan; Stradishall Place; Hyde Croft; Farrants, Bickley, Kent; The Grange, Goring-on-Thames, twice; Kirkside, St. Cyrus; Kilberry, Argyllshire; Kilkerran House, Maybole; St. Martins Abbey; Sirmshail (?) Place; Aldershot; Northerwood Park, Isle of Wight, twice; Summinghill; Peddybill Park; Kirkside; Aldourie Castle, Inverness; Cudwells; Heacham; Alderbourne; Noraher Wood; Mile Bush End, Leighton; Connemara; Banff; Ollenuyon (?); Smallfield Place, Burstow, Surrey; Knowle Park; Ruthden; Lethen; Bradfield; Frensham; Auchendarroch, Lochgilphead; Pickeridge; Monserrate; Fast Liss; Hardwick; Mainstone Court; Balnamoon; Auchendarroch; Pennyhill Park, Bagshot; Druminnor, Rhynie, Aberdeenshire; Banchory Lodge; Hollington; Welford; Waldershare; Lilliput; and finally, Townhill. Some of the visits, it is clear, lasted a month or longer, while others were undoubtedly shorter.Not all the homes were palatial, as one can see from the illustrations and photos. This does not mean that the more modest homes were not comfortable. Curiously, there are pictures of all the properties from the outside but few of the interiors.In 1914, Jardine made a trip to India, and at this point the album is tantamount to a photo album, with some other ephemera thrown in, such as a dinner invitation from the Aga Khan. The photos record some of the lifestyle of the Raj just before it entered its twilight years, but they are not necessarily distinguishable from those of other privileged Anglo tourists of the same era. During the war the entries take on a decidedly more somber tone, as Jardine herself volunteered for various organizations, like so many other women of her class and station. There are a few clippings from benefits, a whole page devoted to signatures of patients at an officers hospital in Devon, a large Red Cross certificate recognizing Constances volunteer contributions. Amongst these are several photos and clippings of more or less normal recreational activities life did go on.Following the war, we get a handful of photos of estate houses and staid family photos Constance was now herself comfortably middle aged. Gone is the hedonism and the artistic panache. Essentially, the album-keeping does not so much stop abruptly as much as it peters out, just as the lifestyle it celebrated also became a thing of the past. Constance Jardine (she appears not to have used her first name Annette much) was born in 1876 in East Grinstead, Sussex, England. She married Robert Jardine in 1897, shortly before these albums got under way, and they maintained a home at 69 Cadogan Place in London, which remains a highly desirable address in Belgravia. Robert Jardine passed away in December, 1930. In 1934, Annette married the younger Captain Arthur Granville-Soames, who had divorced his first wife earlier the same year. Granville-Soames was a member of His Majesty's Coldstream Guards, the father-in-law of Winston Churchill's youngest daughter, and the owner of Sheffield Park, an important estate that he was to sell in 1954. That marriage did not last; they divorced sometime before 1948, when Captain Granville-Soames married a third time. It would appear Constance did not remarry since in her obituary she had held onto Soames as her surname. Little is known about how Constance lived out the rest of her life. Albums maintained by visiting guests, and also organized around the houses experienced, are not unique to these kept by Jardine. But one comes upon such guest albums far, far less often than those kept by the hosts, and we know of no other example of such guest albums with anywhere near the same caliber and scope of Jardine's three heavy books. As a window on the past, the Jardine albums offer us a different voyeuristic experience from that found in even the most elaborate of host albums. Somehow Jardine's compilation captures a restless energy and movement of these party weekends., 1898-1920, 0<
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Informations détaillées sur le livre - The Visits of Constance (Three Albums)
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Date de parution: 1898
Editeur: 1898-1920
Livre dans la base de données depuis 2015-01-09T19:13:05+01:00 (Paris)
Page de détail modifiée en dernier sur 2024-03-22T19:17:08+01:00 (Paris)
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Auteur du livre: charles henry ford
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