2014, ISBN: 9780253316066

Milwaukee, Wisconsin: Backbeat. Near Fine. 2014. Hardcover. 1617130923 . Photographs; 12.6 X 10.1 X 1.7 inches; 672 pages; HARD COVER has light bumping; black spine with white and orange… Plus…

Milwaukee, Wisconsin: Backbeat. Near Fine. 2014. Hardcover. 1617130923 . Photographs; 12.6 X 10.1 X 1.7 inches; 672 pages; HARD COVER has light bumping; black spine with white and orange lettering. Pages are clean and tight; appears as if unused, exhaustively illustrated with 400+ photographs." ... Is the first book to historically document all of the Rolling Stones' musical equipment. It's also the story of the Rolling Stones, but with a new twist: their history as told through the instruments they used. This book covers not only the group's personal background, but also every tour and studio session from their inception in 1962 to 2014, with detailed documentation illustrating what instruments and equipment were used during these periods. Every song recorded by the band, including demos and out-takes are also documented, with input from within the Stones' ranks as well as from people who were involved with the band. This lavishly illustrated book contains hundreds of photographs and rare images, many of which have never been published, including the Rolling Stones' actual guitars and equipment, which were specially photographed for this book and are seen here for the first time. " Notes; index. VERY oversized/7# ., Backbeat, 2014, 4, Bloomington: Indiana University Press, 1987. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.). Purple cloth boards with gilt spine lettering; purple illustrated dj, mylar cover; xiv, 334 pp; bw illustrations and music. "Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes."-DJ. Contents: Preface -- Introduction -- Prologue : The king's grand ball -- Part 1 : Features of the dance rhythms -- Reason and the passions -- Arbeau's dance rhythms -- Dance rhythms from early guitar sources -- Rhythmic movements in mersenne's and later dance music -- The musical measure -- Correspondence of melodic and poetic rhythms in Lullian dance songs -- Rhetorical proportions -- Step-units of la belle danse -- Symmetrical, poetic and rhetorical proportions of labelle danse -- Tempos and general Affects -- Marking the musical meter -- Lullian bowing of dance rhythms -- Forceful articulation of Lullian dance lyrics -- Articulation of dance rhythms in concert pieces -- Ornamenting dance rhythms -- Grouping unslurred quick notes -- Summing up : the many aspects of movement -- Part 2 : Rhythmic characteristics of fifteen dance types -- Allemandes -- Bourrées -- Canaries -- Chaconnes -- Courantes -- Folies -- Forlanes -- Gavottes -- Gigues -- Loures -- Menuets -- Passacailles -- Passepieds -- Rigaudons -- Sarabandes -- Appendix : Six complete dance songs., Indiana University Press, 1987, 3<

1987, ISBN: 9780253316066

Bloomington: Indiana University Press, 1987. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.). Purple cloth boards with gilt … Plus…

Bloomington: Indiana University Press, 1987. Hardcover. VG/VG (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.). Purple cloth boards with gilt spine lettering; purple illustrated dj, mylar cover; xiv, 334 pp; bw illustrations and music. "Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes."-DJ. Contents: Preface -- Introduction -- Prologue : The king's grand ball -- Part 1 : Features of the dance rhythms -- Reason and the passions -- Arbeau's dance rhythms -- Dance rhythms from early guitar sources -- Rhythmic movements in mersenne's and later dance music -- The musical measure -- Correspondence of melodic and poetic rhythms in Lullian dance songs -- Rhetorical proportions -- Step-units of la belle danse -- Symmetrical, poetic and rhetorical proportions of labelle danse -- Tempos and general Affects -- Marking the musical meter -- Lullian bowing of dance rhythms -- Forceful articulation of Lullian dance lyrics -- Articulation of dance rhythms in concert pieces -- Ornamenting dance rhythms -- Grouping unslurred quick notes -- Summing up : the many aspects of movement -- Part 2 : Rhythmic characteristics of fifteen dance types -- Allemandes -- Bourrées -- Canaries -- Chaconnes -- Courantes -- Folies -- Forlanes -- Gavottes -- Gigues -- Loures -- Menuets -- Passacailles -- Passepieds -- Rigaudons -- Sarabandes -- Appendix : Six complete dance songs., Indiana University Press, 1987, 3<

1987, ISBN: 9780253316066

Hard cover, Fine., Sewn binding. Paper over boards. 352 p. Contains: Unspecified. Music: Scholarship and Performance (Hardcover). In Stock. 100% Money Back Guarantee. Brand New, Perfect C… Plus…

Hard cover, Fine., Sewn binding. Paper over boards. 352 p. Contains: Unspecified. Music: Scholarship and Performance (Hardcover). In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers., Bloomington, [PU: Indiana University Press (Ips)]<