2008, ISBN: 185514395X

[EAN: 9781855143951], Gebraucht, sehr guter Zustand, [SC: 3.79], [PU: National Portrait Gallery Publications, United Kingdom, London], PAUL EDWARDS WYNDHAM LEWIS PORTRAITS, This book is t… Plus…

[EAN: 9781855143951], Gebraucht, sehr guter Zustand, [SC: 3.79], [PU: National Portrait Gallery Publications, United Kingdom, London], PAUL EDWARDS WYNDHAM LEWIS PORTRAITS, This book is the first of its kind to focus exclusively on the unique talents of iconoclastic artist-writer Wyndham Lewis (1882-1957) as a portraitist. Lewis was the most important British modernist creator of the first half of the twentieth century, and as one of the 'Men of 1914' - a group which also included Ezra Pound, T.S. Eliot, James Joyce - he is credited with revolutionising 20th-century art and literature. Broadly chronological, Wyndham Lewis Portraits begins by examining how Lewis portrayed himself using a series of multiple identities, and explores how he developed this idea in his portraits of well-known personalities such as Stephen Spender, Edith Sitwell, Virginia Woolf and G.K. Chesterton.In order to lay bare the many distinctive aspects of self-presentation that Lewis saw in each sitter, many of his supposedly definitive portraits in oils are presented in this book alongside clusters of his preparatory drawings, bringing to life his vibrant interpretations of some of the major artistic and literary figures of his time. The high point of Lewis' career as a portraitist came in the 1930s. But when the Royal Academy rejected his 1938 portrait of T.S. Eliot, it triggered the resignation of Augustus John and a speech by Churchill. This was typical of the controversy and publicity that characterised Lewis' career. Although later in life he often alienated patrons and friends, some sitters still caught his imagination. His last major portrait of T.S. Eliot in 1949 renewed his commitment to the values of the Men of 1914 despite a drastic deterioration in his sight caused by the brain tumour that eventually contributed to his death in 1957.It is published to accompany the exhibition at the National Portrait Gallery, London (3 July-19 October 2008). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

2008, ISBN: 185514395X

[EAN: 9781855143951], Used, very good, [SC: 2.8], [PU: National Portrait Gallery Publications, United Kingdom, London], PAUL EDWARDS WYNDHAM LEWIS PORTRAITS, This book is the first of its… Plus…

[EAN: 9781855143951], Used, very good, [SC: 2.8], [PU: National Portrait Gallery Publications, United Kingdom, London], PAUL EDWARDS WYNDHAM LEWIS PORTRAITS, This book is the first of its kind to focus exclusively on the unique talents of iconoclastic artist-writer Wyndham Lewis (1882-1957) as a portraitist. Lewis was the most important British modernist creator of the first half of the twentieth century, and as one of the 'Men of 1914' - a group which also included Ezra Pound, T.S. Eliot, James Joyce - he is credited with revolutionising 20th-century art and literature. Broadly chronological, Wyndham Lewis Portraits begins by examining how Lewis portrayed himself using a series of multiple identities, and explores how he developed this idea in his portraits of well-known personalities such as Stephen Spender, Edith Sitwell, Virginia Woolf and G.K. Chesterton.In order to lay bare the many distinctive aspects of self-presentation that Lewis saw in each sitter, many of his supposedly definitive portraits in oils are presented in this book alongside clusters of his preparatory drawings, bringing to life his vibrant interpretations of some of the major artistic and literary figures of his time. The high point of Lewis' career as a portraitist came in the 1930s. But when the Royal Academy rejected his 1938 portrait of T.S. Eliot, it triggered the resignation of Augustus John and a speech by Churchill. This was typical of the controversy and publicity that characterised Lewis' career. Although later in life he often alienated patrons and friends, some sitters still caught his imagination. His last major portrait of T.S. Eliot in 1949 renewed his commitment to the values of the Men of 1914 despite a drastic deterioration in his sight caused by the brain tumour that eventually contributed to his death in 1957.It is published to accompany the exhibition at the National Portrait Gallery, London (3 July-19 October 2008). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged., Books<

2008, ISBN: 185514395X

[EAN: 9781855143951], Gebraucht, sehr guter Zustand, [SC: 8.36], [PU: National Portrait Gallery, London], Paperback. Slight fading on covers. Lower front leading corner is a little bumped… Plus…

[EAN: 9781855143951], Gebraucht, sehr guter Zustand, [SC: 8.36], [PU: National Portrait Gallery, London], Paperback. Slight fading on covers. Lower front leading corner is a little bumped, affecting early pages. Lower leading corners of two or three pages near rear are a little creased. Exhibition leaflet is laid in. Text and illustrations are clear. AF, Books<

2008, ISBN: 9781855143951

Paperback, Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be d… Plus…

Paperback, Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be dispatched the same or the next working day., [PU: National Portrait Gallery Public]<