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Random Order: Robert Rauschenberg and the Neo-Avant-Garde - Joseph, Branden Wayne
Livre non disponible
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Joseph, Branden Wayne:

Random Order: Robert Rauschenberg and the Neo-Avant-Garde - edition reliée, livre de poche

2003, ISBN: 0262100991

ID: 9633866067

[EAN: 9780262100991], Gebraucht, guter Zustand, [PU: MIT Press; An October Book, Cambridge, MA], Art|Criticism, Art|Individual Artist, Philosophy|Aesthetics, Jacket, Cloth, xiii, 418 pp., illus., biblio., index; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity. Beginning with the White Paintings, Joseph examines Rauschenberg?s artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project. / Branden W. Joseph is an associate professor of contemporary art at the University of California, Irvine. He has published on Robert Rauschenberg, Andy Warhol, John Cage, Diane Arbus, Buckminster Fuller, Robert Morris, Pat O'Neill, and Anthony McCall." - Publisher. Size: 8vo - over 7¾" - 9¾" tall

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Random Order: Robert Rauschenberg and the Neo-Avant-Garde - Joseph, Branden Wayne
Livre non disponible
(*)

Joseph, Branden Wayne:

Random Order: Robert Rauschenberg and the Neo-Avant-Garde - edition reliée, livre de poche

2003, ISBN: 0262100991

ID: 9633866067

[EAN: 9780262100991], Fine, [SC: 40.17], [PU: MIT Press; An October Book, Cambridge, MA], Jacket, Cloth, xiii, 418 pp., illus., biblio., index; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity. Beginning with the White Paintings, Joseph examines Rauschenberg?s artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project. / Branden W. Joseph is an associate professor of contemporary art at the University of California, Irvine. He has published on Robert Rauschenberg, Andy Warhol, John Cage, Diane Arbus, Buckminster Fuller, Robert Morris, Pat O'Neill, and Anthony McCall." - Publisher. Size: 8vo - over 7¾" - 9¾" tall

livre d'occasion Abebooks.it
LEFT COAST BOOKS, Goleta, CA, U.S.A. [2985969] [Rating: 5 (su 5)]
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Random Order: Robert Rauschenberg and the Neo-Avant-Garde - Joseph, Branden Wayne
Livre non disponible
(*)
Joseph, Branden Wayne:
Random Order: Robert Rauschenberg and the Neo-Avant-Garde - edition reliée, livre de poche

2003

ISBN: 0262100991

ID: 9633866067

[EAN: 9780262100991], Fine, [SC: 39.97], [PU: MIT Press; An October Book, Cambridge, MA], Jacket, Cloth, xiii, 418 pp., illus., biblio., index; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity. Beginning with the White Paintings, Joseph examines Rauschenberg?s artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project. / Branden W. Joseph is an associate professor of contemporary art at the University of California, Irvine. He has published on Robert Rauschenberg, Andy Warhol, John Cage, Diane Arbus, Buckminster Fuller, Robert Morris, Pat O'Neill, and Anthony McCall." - Publisher. Size: 8vo - over 7¾" - 9¾" tall

livre d'occasion Abebooks.it
Left Coast Books, Oxnard, CA, U.S.A. [2985969] [Rating: 5 (su 5)]
NOT NEW BOOK Frais d'envoi EUR 39.97
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Random Order: Robert Rauschenberg and the Neo-Avant-Garde - Joseph, Branden Wayne
Livre non disponible
(*)
Joseph, Branden Wayne:
Random Order: Robert Rauschenberg and the Neo-Avant-Garde - edition reliée, livre de poche

2003, ISBN: 0262100991

ID: 9633866067

[EAN: 9780262100991], Fine, [SC: 40.0], [PU: MIT Press; An October Book, Cambridge, MA], Jacket, Cloth, xiii, 418 pp., illus., biblio., index; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity. Beginning with the White Paintings, Joseph examines Rauschenberg?s artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project. / Branden W. Joseph is an associate professor of contemporary art at the University of California, Irvine. He has published on Robert Rauschenberg, Andy Warhol, John Cage, Diane Arbus, Buckminster Fuller, Robert Morris, Pat O'Neill, and Anthony McCall." - Publisher. Size: 8vo - over 7¾" - 9¾" tall

livre d'occasion Abebooks.it
Left Coast Books, Oxnard, CA, U.S.A. [2985969] [Rating: 5 (su 5)]
NOT NEW BOOK Frais d'envoi EUR 40.00
Details...
(*) Livre non disponible signifie que le livre est actuellement pas disponible à l'une des plates-formes associées nous recherche.
Random Order: Robert Rauschenberg and the Neo-Avant-Garde - Joseph, Branden Wayne
Livre non disponible
(*)
Joseph, Branden Wayne:
Random Order: Robert Rauschenberg and the Neo-Avant-Garde - livre d'occasion

1971, ISBN: 9780262100991

ID: 795458

Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In "Random Order," Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity. Beginning with the "White Paintings," Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, "Red Paintings," "Elemental Paintings" and "Elemental Sculptures," Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project. Random Order: Robert Rauschenberg and the Neo-Avant-Garde Joseph, Branden Wayne, MIT Press (MA)

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Détails sur le livre
Random Order: Robert Rauschenberg and the Neo-Avant-Garde
Auteur:

Joseph, Branden Wayne

Titre:

Random Order: Robert Rauschenberg and the Neo-Avant-Garde

ISBN:

9780262100991

An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.

Informations détaillées sur le livre - Random Order: Robert Rauschenberg and the Neo-Avant-Garde


EAN (ISBN-13): 9780262100991
ISBN (ISBN-10): 0262100991
Version reliée
Livre de poche
Date de parution: 2003
Editeur: MIT PR
432 Pages
Poids: 1,002 kg
Langue: eng/Englisch

Livre dans la base de données depuis 12.06.2007 11:52:28
Livre trouvé récemment le 22.12.2016 22:26:01
ISBN/EAN: 9780262100991

ISBN - Autres types d'écriture:
0-262-10099-1, 978-0-262-10099-1

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