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PLAY'S THE THING: TOM STOPPARD'S
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PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ - REWRITING "HAMLET" IN THE TWENTIETH CENTURY - Livres de poche

2009, ISBN: 9783639195156

[ED: Taschenbuch / Paperback], [PU: VDM Verlag Dr. Müller], Tom Stoppard s interest in Shakespeare is manifest in his many rewritings of "Hamlet," be it in play or on film. This book takes a closer look at Stoppard s "Rosencrantz & Guildenstern are Dead" as a rewriting of "Hamlet" in the twentieth century. The analysis of this book probes Stoppard s cultural, linguistic and thematic rewriting of "Hamlet" by attempting to show how "Rosencrantz & Guildenstern" precedes the theories of postmodernism. The book sets the difference between Stoppard s postmodern text and Beckett s "Waiting for Godot" as a late modernist one. In addition to tracing Stoppard s extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard s rewriting of his own rewriting of "Hamlet" when he adapts "Rosencrantz & Guildenstern" to film. This book should be of use to those interested in Stoppard s rewriting of "Hamlet" as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of play in Stoppard s postmodern rewritings of "Hamlet"., [SC: 0.00], Neuware, gewerbliches Angebot, H: 220mm, B: 150mm, T: 8mm, [GW: 229g]

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PLAY'S THE THING: TOM STOPPARD'S
Livre non disponible
(*)
PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ - REWRITING "HAMLET" IN THE TWENTIETH CENTURY - Livres de poche

2009, ISBN: 9783639195156

[ED: Taschenbuch / Paperback], [PU: VDM Verlag Dr. Müller], Tom Stoppard s interest in Shakespeare is manifest in his many rewritings of "Hamlet," be it in play or on film. This book takes a closer look at Stoppard s "Rosencrantz & Guildenstern are Dead" as a rewriting of "Hamlet" in the twentieth century. The analysis of this book probes Stoppard s cultural, linguistic and thematic rewriting of "Hamlet" by attempting to show how "Rosencrantz & Guildenstern" precedes the theories of postmodernism. The book sets the difference between Stoppard s postmodern text and Beckett s "Waiting for Godot" as a late modernist one. In addition to tracing Stoppard s extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard s rewriting of his own rewriting of "Hamlet" when he adapts "Rosencrantz & Guildenstern" to film. This book should be of use to those interested in Stoppard s rewriting of "Hamlet" as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of play in Stoppard s postmodern rewritings of "Hamlet"., [SC: 3.00], Neuware, gewerbliches Angebot, H: 220mm, B: 150mm, T: 8mm, [GW: 229g]

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Play´s The Thing: Tom Stoppard´s ´´rosencrantz - Nagham Jaber
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Nagham Jaber:
Play´s The Thing: Tom Stoppard´s ´´rosencrantz - nouveau livre

ISBN: 9783639195156

ID: 751433192

Tom Stoppard´s interest in Shakespeare is manifest in his many rewritings of ´´Hamlet,´´ be it in play or on film. This book takes a closer look at Stoppard´s ´´Rosencrantz & Guildenstern are Dead´´ as a rewriting of ´´Hamlet´´ in the twentieth century. The analysis of this book probes Stoppard´s cultural, linguistic and thematic rewriting of ´´Hamlet´´ by attempting to show how ´´Rosencrantz & Guildenstern´´ precedes the theories of postmodernism. The book sets the difference between Stoppard´s postmodern text and Beckett´s ´´Waiting for Godot´´ as a late modernist one. In addition to tracing Stoppard´s extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard´s rewriting of his own rewriting of ´´Hamlet´´ when he adapts ´´Rosencrantz & Guildenstern´´ to film. This book should be of use to those interested in Stoppard´s rewriting of ´´Hamlet´´ as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of ´´play´´ in Stoppard´s postmodern rewritings of ´´Hamlet´´. REWRITING ´´HAMLET´´ IN THE TWENTIETH CENTURY Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, VDM

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Play's The Thing: Tom Stoppard's
Livre non disponible
(*)
Nagham Jaber:
Play's The Thing: Tom Stoppard's "rosencrantz - nouveau livre

ISBN: 9783639195156

ID: cab82f30fc747b6ec1ec4d3ffb1360dd

REWRITING "HAMLET" IN THE TWENTIETH CENTURY Tom Stoppard's interest in Shakespeare is manifest in his many rewritings of "Hamlet," be it in play or on film. This book takes a closer look at Stoppard's "Rosencrantz & Guildenstern are Dead" as a rewriting of "Hamlet" in the twentieth century. The analysis of this book probes Stoppard's cultural, linguistic and thematic rewriting of "Hamlet" by attempting to show how "Rosencrantz & Guildenstern" precedes the theories of postmodernism. The book sets the difference between Stoppard's postmodern text and Beckett's "Waiting for Godot" as a late modernist one. In addition to tracing Stoppard's extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard's rewriting of his own rewriting of "Hamlet" when he adapts "Rosencrantz & Guildenstern" to film. This book should be of use to those interested in Stoppard's rewriting of "Hamlet" as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of "play" in Stoppard's postmodern rewritings of "Hamlet". Bücher / Fremdsprachige Bücher / Englische Bücher 978-3-639-19515-6, VDM

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PLAY'S THE THING: TOM STOPPARD'S
Livre non disponible
(*)
Nagham Jaber:
PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ - Livres de poche

ISBN: 9783639195156

[ED: Taschenbuch], [PU: VDM Verlag], Neuware - Tom Stoppard s interest in Shakespeare is manifest in his many rewritings of 'Hamlet,' be it in play or on film. This book takes a closer look at Stoppard s 'Rosencrantz & Guildenstern are Dead' as a rewriting of 'Hamlet' in the twentieth century. The analysis of this book probes Stoppard s cultural, linguistic and thematic rewriting of 'Hamlet' by attempting to show how 'Rosencrantz & Guildenstern' precedes the theories of postmodernism. The book sets the difference between Stoppard s postmodern text and Beckett s 'Waiting for Godot' as a late modernist one. In addition to tracing Stoppard s extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard s rewriting of his own rewriting of 'Hamlet' when he adapts 'Rosencrantz & Guildenstern' to film. This book should be of use to those interested in Stoppard s rewriting of 'Hamlet' as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of play in Stoppard s postmodern rewritings of 'Hamlet'., [SC: 3.50], Neuware, gewerbliches Angebot, 220x150x10 mm, [GW: 255g]

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Détails sur le livre
PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ
Auteur:

Jaber, Nagham

Titre:

PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ

ISBN:

3639195159

Tom Stoppard's interest in Shakespeare is manifest in his many rewritings of &quot;Hamlet,&quot; be it in play or on film. This book takes a closer look at Stoppard's &quot;Rosencrantz & Guildenstern are Dead&quot; as a rewriting of &quot;Hamlet&quot; in the twentieth century. The analysis of this book probes Stoppard's cultural, linguistic and thematic rewriting of &quot;Hamlet&quot; by attempting to show how &quot;Rosencrantz & Guildenstern&quot; precedes the theories of postmodernism. The book sets the difference between Stoppard's postmodern text and Beckett's &quot;Waiting for Godot&quot; as a late modernist one. In addition to tracing Stoppard's extensive rewritings of the Shakespearean play and Shakespearean figure in other Stoppardian works, the book focuses on Stoppard's rewriting of his own rewriting of &quot;Hamlet&quot; when he adapts &quot;Rosencrantz & Guildenstern&quot; to film. This book should be of use to those interested in Stoppard's rewriting of &quot;Hamlet&quot; as well as in his innovative theater, i.e. in his borrowing and altering techniques and themes from the theaters of Pirandello, Brecht, and Beckett. Language games are highlighted as a particularly postmodern strategy and form of "play" in Stoppard's postmodern rewritings of &quot;Hamlet&quot;.

Informations détaillées sur le livre - PLAY'S THE THING: TOM STOPPARD'S "ROSENCRANTZ


EAN (ISBN-13): 9783639195156
ISBN (ISBN-10): 3639195159
Version reliée
Livre de poche
Date de parution: 2009
Editeur: VDM Verlag

Livre dans la base de données depuis 29.11.2007 10:06:01
Livre trouvé récemment le 18.01.2017 10:04:05
ISBN/EAN: 3639195159

ISBN - Autres types d'écriture:
3-639-19515-9, 978-3-639-19515-6

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