2011, ISBN: 1935408062

[EAN: 9781935408062], Gebraucht, guter Zustand, [PU: Zone Books], HISTORY & CRITICISM, In Operatic Afterlives, Michal Grover-Friedlander examines the implications of operas founding m… Plus…

[EAN: 9781935408062], Gebraucht, guter Zustand, [PU: Zone Books], HISTORY & CRITICISM, In Operatic Afterlives, Michal Grover-Friedlander examines the implications of operas founding myth - the story of Orpheus and Eurydice: Orpheuss attempt to revive the dead Eurydice with the power of singing. Traditionally, opera kills its protagonists that best embody its ideal of the singing voice, but Grover-Friedlander argues that opera at times also represents the ways that the voice, singing, or song acquire their own forms of aliveness and indestructibility. Operatic Afterlives shows the ultimate power that opera grants to singing: the reversal of death.Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals - from Puccinis Gianni Schicchi to Roccas Il dibuk, from Seters Tikkun Hatsot to Chings Buosos Ghost, from Zeffirellis Callas Forever to Disneys The Whale Who Wanted to Sing at the Met - are made possible, she argues, by the unique treatment of voice in the works in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the characters death. This may arise from the multiplication of singing voices inhabiting the same body, from disembodied singing, from the merging of singing voices, from the disconnection of voice and character.The instances developed in the book take on added significance as they describe a reconfiguration of operatic singing itself. Singing reigns over text, musical language, and dramatic characterization. The notion of the afterlife of singing reveals the singularity of the voice in opera, and how much it differs categorically from any other elaboration of the voice. Grover-Friedlanders examples reflect on the meanings of the operatic voice as well as on our sense of its resonating, unending, and haunting presence., Books<

2011, ISBN: 9781935408062

NY: Zone Books, 2011. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright, unclipped dust jacket. An examination of the ultimate power opera grants to singing: the reversal of de… Plus…

NY: Zone Books, 2011. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright, unclipped dust jacket. An examination of the ultimate power opera grants to singing: the reversal of death. In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth-the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals-in operas by Puccini and other composers and performances by Maria Callas-are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. Clean copy, 252 pages. Record # 378833, Zone Books, 2011, 3<

ISBN: 9781935408062

pb. Fair. Obviously worn, but no text pages missing. May have highlighting and marginalia, but markings do not interfere with readability. Textbooks do not have accompanying CDs or acces… Plus…

pb. Fair. Obviously worn, but no text pages missing. May have highlighting and marginalia, but markings do not interfere with readability. Textbooks do not have accompanying CDs or access codes. Ships from an indie bookstore in NYC., 2<