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Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - Susanna Pavloska
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Susanna Pavloska:

Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - nouveau livre

2000, ISBN: 9780815336501

ID: 727513712

This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso´s ´´Les demoiselles d´Avignon and Stein´s ´´Melanctha.´´ In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past. Race Language in Gertrude Stein, Ernest Hemingway Zora Neale Hurston Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 01.01.2000, Garland Pub, .200

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Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - Susanna Pavloska
Livre non disponible
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Susanna Pavloska:

Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - nouveau livre

ISBN: 9780815336501

ID: 692816957

This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso´s ´´Les demoiselles d´Avignon and Stein´s ´´Melanctha.´´ In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past. Race Language in Gertrude Stein, Ernest Hemingway Zora Neale Hurston Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 01.12.1999, Garland Pub, .199

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Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - Susanna Pavloska
Livre non disponible
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Susanna Pavloska:
Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - nouveau livre

ISBN: 9780815336501

ID: 1947585cd102fa3bb81517ddc5c4ad68

Race Language in Gertrude Stein, Ernest Hemingway Zora Neale Hurston This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's "Les demoiselles d'Avignon and Stein's "Melanctha." In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-8153-3650-1, Garland Pub

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Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - Susanna Pavloska
Livre non disponible
(*)
Susanna Pavloska:
Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - nouveau livre

ISBN: 9780815336501

ID: 195835004

This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso´s ´´Les demoiselles d´Avignon and Stein´s ´´Melanctha.´´ In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past. Race Language in Gertrude Stein, Ernest Hemingway Zora Neale Hurston Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Garland Pub

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Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - Pavloska, Susanna
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Pavloska, Susanna:
Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston - livre d'occasion

ISBN: 9780815336501

ID: 3452620

This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's "Les demoiselles d'Avignon " and Stein's "Melanctha." In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past. Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston Pavloska, Susanna, Routledge

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Détails sur le livre
Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston
Auteur:

Pavloska, Susanna

Titre:

Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston

ISBN:

0815336500

This book explores the ways in which the American writers Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston used modernist primitivism to assert a uniquely American literary identity in the face of European cultural hegemony. <BR>The extended Introduction traces the history of primitivism from a classical rhetorical trope to its emergence in the twentieth century as aesthetic, exemplified by Picasso and his use of African masks, that combined new work in the human sciences especially anthropology and psychology, with new ideas in the visual arts to challenge traditional ideas of realism and artistic accomplishment. The first two chapters bring together visual evidence, published and unpublished writings, and linguistic theory to give the first detailed account of the theoretical and gender concerns of the Stein-Picasso collaboration, which culminated in Picasso's "Les demoiselles d'Avignon and Stein's "Melanctha." <BR>In the final two chapters, the author shows how both Hemingway and Hurston participated in the racialist scientific debates of the 1920s and used primitivism to find their respective artistic voices: Hemingway in his use of American Indians in recasting his life narratives in the Nick Adams stories, and Hurston in her attempts to use her anthropological training to construct a mythic African-American past.

Informations détaillées sur le livre - Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston


EAN (ISBN-13): 9780815336501
ISBN (ISBN-10): 0815336500
Version reliée
Date de parution: 1999
Editeur: GARLAND PUB
200 Pages
Poids: 0,327 kg
Langue: eng/Englisch

Livre dans la base de données depuis 29.05.2007 14:52:27
Livre trouvé récemment le 21.10.2016 17:25:25
ISBN/EAN: 0815336500

ISBN - Autres types d'écriture:
0-8153-3650-0, 978-0-8153-3650-1

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