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Contemporary Italian Filmmaking
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Contemporary Italian Filmmaking - nouveau livre

ISBN: 9780802005564

ID: 14241579

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She. Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour. Books, Music, Stage and Screen~~Film, TV & Radio~~Films, Cinema, Contemporary Italian Filmmaking~~Book~~9780802005564~~Manuela Gieri, , , , , , , , , ,, [PU: University of Toronto Press]

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Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation - Manuela Gieri
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Manuela Gieri:

Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation - nouveau livre

ISBN: 9780802005564

ID: 978080200556

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello''s revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic''. She delineates a `Pirandellian genealogy'' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation,'' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore.A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello''s work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the `melodramatic imagination'' and the `humoristic,'' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a `Pirandellian mode'' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L''umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello''s interpretation of humour. Manuela Gieri, Books, Entertainment, Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation Books>Entertainment, University of Toronto Press, Scholarly Publishing Division

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Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation - Gieri, Manuela
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Gieri, Manuela:
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ISBN: 9780802005564

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Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines 'humoristic'. She delineates a 'Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the 'melodramatic imagination' and the 'humoristic, ' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a 'Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour. Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation Gieri, Manuela, University of Toronto Press

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Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation (Toronto Italian Studies)
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Détails sur le livre
Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation
Auteur:

Gieri, Manuela

Titre:

Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation

ISBN:

080200556X

Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines humoristic'. She delineates a Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the new generation,' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore.A celebrated figure of the theatrical world, Luigi Pirandello (1867-1936) is little known beyond Italy for his critical and theoretical writings on cinema and for his screenplays. Gieri brings to her reading of Pirandello's work the critical parameters offered by psychoanalysis, poststructuralism, and postmodernism to develop a syncretic and transcultural vision of the history of Italian cinema. She identifies two fundamental trends of development in this tradition: the melodramatic imagination' and the humoristic,' or comic, imagination. With her focus on the humoristic imagination, Gieri describes a Pirandellian mode' derived from his revolutionary utterances on the cinema and narrative, and specifically, from his essay on humour, L'umorismo (On Humour, 1908). She traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

Informations détaillées sur le livre - Contemporary Italian Filmmaking: Strategies of Subversion: Pirandello, Fellini, Scola, and the Directors of the New Generation


EAN (ISBN-13): 9780802005564
ISBN (ISBN-10): 080200556X
Version reliée
Date de parution: 1995
Editeur: UNIV OF TORONTO PR
302 Pages
Poids: 0,699 kg
Langue: eng/Englisch

Livre dans la base de données depuis 11.07.2007 10:39:13
Livre trouvé récemment le 09.09.2016 03:13:43
ISBN/EAN: 080200556X

ISBN - Autres types d'écriture:
0-8020-0556-X, 978-0-8020-0556-4

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