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Joan Mitchell: Lady Painter - Patricia Albers
Livre non disponible
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Patricia Albers:

Joan Mitchell: Lady Painter - edition reliée, livre de poche

2019, ISBN: 0375414371

[SR: 137771], Hardcover, [EAN: 9780375414374], Deckle Edge, Knopf, Knopf, Book, [PU: Knopf], 2011-05-03, Knopf, “Gee, Joan, if only you were French and male and dead.” —New York art dealer to Joan Mitchell, the 1950sShe was a steel heiress from the Midwest—Chicago and Lake Forest (her grandfather built Chicago’s bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution—Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn’t paint.Joan Mitchell is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, ’60s, and ’70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America’s twentieth century. As a young girl she was a champion figure skater, and though she lacked balance and coordination, accomplished one athletic triumph after another, until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said, “I use the past to make my pic[tures] and I want all of it and even you and me in candlelight on the train and every ‘lover’ I’ve ever had—every friend—nothing closed out. It’s all part of me and I want to confront it and sleep with it—the dreams—and paint it.”Her work had an unerring sense of formal rectitude, daring, and discipline, as well as delicacy, grace, and awkwardness.Mitchell exuded a young, smoky, tough glamour and was thought of as “sexy as hell.”Albers writes about how Mitchell married her girlhood pal, Barnet Rosset, Jr.—scion of a financier who was head of Chicago’s Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951, at Mitchell’s urging, and to publish Henry Miller, Samuel Beckett, Jean Genet, Jack Kerouac, Allen Ginsberg, et al., making Grove into the great avant-garde publishing house of its time. Mitchell’s life was messy and reckless: in New York and East Hampton carousing with de Kooning, Frank O’Hara, James Schuyler, Jane Freilicher, Franz Kline, Helen Frankenthaler, and others; going to clambakes, cocktail parties, softball games—and living an entirely different existence in Paris and Vétheuil.Mitchell’s inner life embraced a world beyond her own craft, especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In Joan Mitchell, Patricia Albers brilliantly reconstructs the painter’s large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. Joan Mitchell re-, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1876, Painting, 2018, Landscape, 171126, Oil Painting, 3825101, Portraits, 15762871, Still Life, 2019, Watercolor, 5160, Acrylics, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books, 86, Humor & Entertainment, 11357541011, Coloring Books for Grown-Ups, 4456, Humor, 4484, Movies, 521000, Performing Arts, 4550, Pop Culture, 4402, Puzzles & Games, 4564, Radio, 1622, Sheet Music & Scores, 4569, Television, 11871, Trivia & Fun Facts, 1000, Subjects, 283155, Books

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Joan Mitchell: Lady Painter - Patricia Albers
Livre non disponible
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Patricia Albers:

Joan Mitchell: Lady Painter - edition reliée, livre de poche

2019, ISBN: 0375414371

[SR: 137771], Hardcover, [EAN: 9780375414374], Deckle Edge, Knopf, Knopf, Book, [PU: Knopf], 2011-05-03, Knopf, “Gee, Joan, if only you were French and male and dead.” —New York art dealer to Joan Mitchell, the 1950sShe was a steel heiress from the Midwest—Chicago and Lake Forest (her grandfather built Chicago’s bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution—Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn’t paint.Joan Mitchell is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, ’60s, and ’70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America’s twentieth century. As a young girl she was a champion figure skater, and though she lacked balance and coordination, accomplished one athletic triumph after another, until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said, “I use the past to make my pic[tures] and I want all of it and even you and me in candlelight on the train and every ‘lover’ I’ve ever had—every friend—nothing closed out. It’s all part of me and I want to confront it and sleep with it—the dreams—and paint it.”Her work had an unerring sense of formal rectitude, daring, and discipline, as well as delicacy, grace, and awkwardness.Mitchell exuded a young, smoky, tough glamour and was thought of as “sexy as hell.”Albers writes about how Mitchell married her girlhood pal, Barnet Rosset, Jr.—scion of a financier who was head of Chicago’s Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951, at Mitchell’s urging, and to publish Henry Miller, Samuel Beckett, Jean Genet, Jack Kerouac, Allen Ginsberg, et al., making Grove into the great avant-garde publishing house of its time. Mitchell’s life was messy and reckless: in New York and East Hampton carousing with de Kooning, Frank O’Hara, James Schuyler, Jane Freilicher, Franz Kline, Helen Frankenthaler, and others; going to clambakes, cocktail parties, softball games—and living an entirely different existence in Paris and Vétheuil.Mitchell’s inner life embraced a world beyond her own craft, especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In Joan Mitchell, Patricia Albers brilliantly reconstructs the painter’s large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. Joan Mitchell re-, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1876, Painting, 2018, Landscape, 171126, Oil Painting, 3825101, Portraits, 15762871, Still Life, 2019, Watercolor, 5160, Acrylics, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books, 86, Humor & Entertainment, 11357541011, Coloring Books for Grown-Ups, 4456, Humor, 4484, Movies, 521000, Performing Arts, 4550, Pop Culture, 4402, Puzzles & Games, 4564, Radio, 1622, Sheet Music & Scores, 4569, Television, 11871, Trivia & Fun Facts, 1000, Subjects, 283155, Books

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Joan Mitchell: Lady Painter - Patricia Albers
Livre non disponible
(*)
Patricia Albers:
Joan Mitchell: Lady Painter - edition reliée, livre de poche

2019

ISBN: 0375414371

[SR: 137771], Hardcover, [EAN: 9780375414374], Deckle Edge, Knopf, Knopf, Book, [PU: Knopf], 2011-05-03, Knopf, “Gee, Joan, if only you were French and male and dead.” —New York art dealer to Joan Mitchell, the 1950sShe was a steel heiress from the Midwest—Chicago and Lake Forest (her grandfather built Chicago’s bridges and worked for Andrew Carnegie). She was a daughter of the American Revolution—Anglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn’t paint.Joan Mitchell is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, ’60s, and ’70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America’s twentieth century. As a young girl she was a champion figure skater, and though she lacked balance and coordination, accomplished one athletic triumph after another, until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said, “I use the past to make my pic[tures] and I want all of it and even you and me in candlelight on the train and every ‘lover’ I’ve ever had—every friend—nothing closed out. It’s all part of me and I want to confront it and sleep with it—the dreams—and paint it.”Her work had an unerring sense of formal rectitude, daring, and discipline, as well as delicacy, grace, and awkwardness.Mitchell exuded a young, smoky, tough glamour and was thought of as “sexy as hell.”Albers writes about how Mitchell married her girlhood pal, Barnet Rosset, Jr.—scion of a financier who was head of Chicago’s Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951, at Mitchell’s urging, and to publish Henry Miller, Samuel Beckett, Jean Genet, Jack Kerouac, Allen Ginsberg, et al., making Grove into the great avant-garde publishing house of its time. Mitchell’s life was messy and reckless: in New York and East Hampton carousing with de Kooning, Frank O’Hara, James Schuyler, Jane Freilicher, Franz Kline, Helen Frankenthaler, and others; going to clambakes, cocktail parties, softball games—and living an entirely different existence in Paris and Vétheuil.Mitchell’s inner life embraced a world beyond her own craft, especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In Joan Mitchell, Patricia Albers brilliantly reconstructs the painter’s large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. Joan Mitchell re-, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1876, Painting, 2018, Landscape, 171126, Oil Painting, 3825101, Portraits, 15762871, Still Life, 2019, Watercolor, 5160, Acrylics, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books, 86, Humor & Entertainment, 11357541011, Coloring Books for Grown-Ups, 4456, Humor, 4484, Movies, 521000, Performing Arts, 4550, Pop Culture, 4402, Puzzles & Games, 4564, Radio, 1622, Sheet Music & Scores, 4569, Television, 11871, Trivia & Fun Facts, 1000, Subjects, 283155, Books

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Joan Mitchell - Albers, Patricia
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Joan Mitchell - nouveau livre

ISBN: 9780375414374

ID: 569847

She was a steel heiress from the MidwestChicago and Lake Forest (her grandfather built Chicago's bridges and worked for Andrew Carnegie). She was a daughter of the American RevolutionAnglo-Saxon, Republican, Episcopalian. She was tough, disciplined, courageous, dazzling, and went up against the masculine art world at its most entrenched, made her way in it, and disproved their notion that women couldn't paint. Joan Mitchell is the first full-scale biography of the abstract expressionist painter who came of age in the 1950s, '60s, and '70s; a portrait of an outrageous artist and her struggling artist world, painters making their way in the second part of America's twentieth century. As a young girl she was a champion figure skater, and though she lacked balance and coordination, accomplished one athletic triumph after another, until giving up competitive skating to become a painter. Mitchell saw people and things in color; color and emotion were the same to her. She said, I use the past to make my pic[tures] and I want all of it and even you and me in candlelight on the train and every lover' I've ever hadevery friendnothing closed out. It's all part of me and I want to confront it and sleep with itthe dreamsand paint it. Her work had an unerring sense of formal rectitude, daring, and discipline, as well as delicacy, grace, and awkwardness. Mitchell exuded a young, smoky, tough glamour and was thought of as sexy as hell. Albers writes about how Mitchell married her girlhood pal, Barnet Rosset, Jr.scion of a financier who was head of Chicago's Metropolitan Trust and partner of Jimmy Roosevelt. Rosset went on to buy Grove Press in 1951, at Mitchell's urging, and to publish Henry Miller, Samuel Beckett, Jean Genet, Jack Kerouac, Allen Ginsberg, et al., making Grove into the great avant-garde publishing house of its time. Mitchell's life was messy and reckless: in New York and East Hampton carousing with de Kooning, Frank O'Hara, James Schuyler, Jane Freilicher, Franz Kline, Helen Frankenthaler, and others; going to clambakes, cocktail parties, softball gamesand living an entirely different existence in Paris and Vtheuil. Mitchell's inner life embraced a world beyond her own craft, especially literature . . . her compositions were informed by imagined landscapes or feelings about places. In Joan Mitchell , Patricia Albers brilliantly reconstructs the painter's large and impassioned life: her growing prominence as an artist; her marriage and affairs; her friendships with poets and painters; her extraordinary work. Joan Mitchell re-creates the times, the people, and her worlds from the 1920s through the 1990s and brings it all spectacularly to life. From the Hardcover edition. ]]> Biography & Autobiography Biography & Autobiography eBook, Knopf Doubleday Publishing Group

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Joan Mitchell: Lady Painter - Albers, Patricia
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Albers, Patricia:
Joan Mitchell: Lady Painter - edition reliée, livre de poche

2011, ISBN: 0375414371

ID: 19841064546

[EAN: 9780375414374], Gebraucht, guter Zustand, [PU: Knopf], Ex-library with usual stampings, etc. Hardcover with dj in protective mylar. Light shelfwear to dj. Contents clean and tight. 514 pages, index, notes, color and b&w photos and illus.

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Joan Mitchell: Lady Painter
Auteur:

Albers, Patricia

Titre:

Joan Mitchell: Lady Painter

ISBN:

0375414371

A full-scale biography--the first--of the dazzling, outrageous, mythic Abstract Expressionist artist considered today one of the major American painters of the latter half of the 20th century.

Informations détaillées sur le livre - Joan Mitchell: Lady Painter


EAN (ISBN-13): 9780375414374
ISBN (ISBN-10): 0375414371
Version reliée
Date de parution: 2011
Editeur: ALFRED A KNOPF
514 Pages
Poids: 0,962 kg
Langue: eng/Englisch

Livre dans la base de données depuis 17.02.2011 21:46:32
Livre trouvé récemment le 10.09.2016 17:12:21
ISBN/EAN: 0375414371

ISBN - Autres types d'écriture:
0-375-41437-1, 978-0-375-41437-4

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