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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Giorgio Bertellini
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Giorgio Bertellini:

Italy in Early American Cinema: Race, Landscape, and the Picturesque - Livres de poche

2009, ISBN: 0253221285

[SR: 1455466], Paperback, [EAN: 9780253221285], Indiana University Press, Indiana University Press, Book, [PU: Indiana University Press], 2009-11-16, Indiana University Press, Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic--the picturesque. Once associated with landscape painting from northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was traveled from 18th- and 19th-century painters to early 20th-century filmmakers, and from Europe to the U.S. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny., 521000, Performing Arts, 1474, Dance, 11160393011, Individual Directors, 1099186, Magic & Illusion, 271614011, Reference, 2154, Theater, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 4495, History & Criticism, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194811011, Theory, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 1871, Art, 4550, Pop Culture, 86, Humor & Entertainment, 1000, Subjects, 283155, Books

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Giorgio Bertellini
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Giorgio Bertellini:

Italy in Early American Cinema: Race, Landscape, and the Picturesque - Livres de poche

2009, ISBN: 0253221285

[SR: 1455466], Paperback, [EAN: 9780253221285], Indiana University Press, Indiana University Press, Book, [PU: Indiana University Press], 2009-11-16, Indiana University Press, Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic--the picturesque. Once associated with landscape painting from northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was traveled from 18th- and 19th-century painters to early 20th-century filmmakers, and from Europe to the U.S. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny., 521000, Performing Arts, 1474, Dance, 11160393011, Individual Directors, 1099186, Magic & Illusion, 271614011, Reference, 2154, Theater, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 4495, History & Criticism, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194811011, Theory, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 1871, Art, 4550, Pop Culture, 86, Humor & Entertainment, 1000, Subjects, 283155, Books

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Giorgio Bertellini
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Italy in Early American Cinema: Race, Landscape, and the Picturesque - livre d'occasion

ISBN: 0253221285

ID: 8172048

Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic--the picturesque. Once associated with landscape painting from northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was traveled from 18th- and 19th-century painters to early 20th-century filmmakers, and from Europe to the U.S. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny. art,arts music and photography,criticism,history and criticism,humor and entertainment,movies,pop culture,theory Pop Culture, Indiana University Press

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Bertellini, Giorgio
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Bertellini, Giorgio:
Italy in Early American Cinema: Race, Landscape, and the Picturesque - livre d'occasion

ISBN: 9780253221285

ID: 785997

Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic -- the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Showing readers how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers, Bertellini moves from the picturesque in silent films to the Godfather trilogy, perhaps the definitive example of the picturesque in modern cinema. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny. Italy in Early American Cinema: Race, Landscape, and the Picturesque Bertellini, Giorgio, Indiana University Press

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Italy in Early American Cinema - Giorgio Bertellini
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Giorgio Bertellini:
Italy in Early American Cinema - Livres de poche

2009, ISBN: 9780253221285

ID: 10272547

Softcover, Buch, [PU: Indiana University Press]

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Détails sur le livre
Italy in Early American Cinema: Race, Landscape, and the Picturesque
Auteur:

Bertellini, Giorgio

Titre:

Italy in Early American Cinema: Race, Landscape, and the Picturesque

ISBN:

0253221285

Giorgio Bertellini traces the origins of American cinema's century-longfascination with Italy and Italian immigrants to the popularity of thepre-photographic aesthetic -- the picturesque. Once associated with landscapepainting in northern Europe, the picturesque came to symbolize Mediterranean Europethrough comforting views of distant landscapes and exotic characters. Taking its cuefrom a picturesque stage backdrop from The Godfather Part II, Italy in EarlyAmerican Cinema shows how this aesthetic was transferred from 19th-century Americanpainters to early 20th-century American filmmakers. Italy in Early American Cinemaoffers readings of early films that pay close attention to how landscaperepresentations that were related to narrative settings and filmmaking locationsconveyed distinct ideas about racial difference and national destiny.

Informations détaillées sur le livre - Italy in Early American Cinema: Race, Landscape, and the Picturesque


EAN (ISBN-13): 9780253221285
ISBN (ISBN-10): 0253221285
Livre de poche
Date de parution: 2009
Editeur: INDIANA UNIV PR
443 Pages
Poids: 0,736 kg
Langue: eng/Englisch

Livre dans la base de données depuis 03.04.2009 14:51:51
Livre trouvé récemment le 25.10.2016 11:41:21
ISBN/EAN: 0253221285

ISBN - Autres types d'écriture:
0-253-22128-5, 978-0-253-22128-5

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